So Perry went home and opened an office. His heart was not in it, but he
made enough to live on, and at last he made money enough to marry a
wife. He would have married her whether he had enough to live on or not.
She was an artist, and she was twenty when Perry met her. We had been
spending a month in Maine, on an island as charming as it was cheap.
Rosalie was there with a great-aunt and uncle. She was painting the sea
on the day that Perry first saw her, and she wore a jade-green smock.
Her hair was red, drawn back rather tightly from her forehead, but
breaking into waves over her ears. With the red of her cheeks and the
red of her lips she had something of the look of Lorenzo Lotto's lovely
ladies, except for a certain sharp slenderness, a slenderness which
came, I was to learn later, from an utter indifference to the claims of
appetite. She was one of those who sell bread to buy hyacinths.
I speak of this here because Rosalie's almost ascetic indifference to
material matters, in direct contrast to Perry's vivid enjoyment of the
good things of life, came to have a tragic significance in later days.
Perry loved a warm hearth in winter, a cool porch in summer. He had the
Southerner's epicurean appreciation of the fine art of feasting. The
groaning board had been his inheritance from a rollicking, rackety set
of English ancestors, to whom dining was a rather splendid ceremony. On
his mother's table had been fish and game from Chesapeake, fruits and
vegetables in season and out--roast lamb when prices soared high in the
spring, strawberries as soon as they came up from Florida. There had
always been money for these in the Cunningham exchequer, when there had
been money for nothing else.
Rosalie, on the other hand, ate an orange in the morning, a square of
toast at noon, a chop and perhaps a salad for dinner. One felt that she
might have fared equally well on dew and nectar. She had absolutely no
interest in what was set before her, and after she married Perry this
attitude of mind remained unchanged.
She was a wretched cook, and made no effort to acquire expertness. She
and Perry lived in a small but well-built bungalow some miles out from
town, and they could not afford a maid. When I dined with them I made up
afterward for the deficiencies of their menu by a square meal at the
club. There was no chance for Perry to make up, and I wondered as the
years went on how he stood it.
He seemed to stand it rather well, except that in time he came to have
that same sharpened look of delicacy which added a spiritual note to
Rosalie's rich bloom. He always lighted up when he spoke of his wife,
and he was always urging me to come and see them. I must admit that
except for the meals I liked to go. Rosalie's success at painting had
been negligible, but her love of beauty was expressed in the atmosphere
she gave to her little home; she had achieved rather triumphant results
in backgrounds and in furnishing.
Public-domain text, read in full here on John Shaqi.
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