The Gay RebellionChambers, Robert W. (Robert William)
Science
The Gay Rebellion
Chambers, Robert W. (Robert William)
Science fiction
"I'll blue-pencil my own stuff," he said. "If you want to hear how it
happened you'll listen to the literary part, too."
"Go on, then," said Langdon, sullenly.
"I will. . . . The sunlight fell softly upon the trees of the ancient
wood; bosky depths cast velvety shadows----"
"What is a bosky depth? What _is_ boskiness? By heaven, I've waited years
to ask; and now's my chance? You tell me what 'bosky' is, or----"
"Do you want to hear about that girl?"
"Yes, but----"
"Then you fill your face full of flapjack and shut up."
Langdon bit rabidly at a flapjack and beat the earth with his heels.
"The stream," continued Sayre, "purled." He coldly watched the literary
effect upon Langdon, then went on:
"Now, there's enough descriptive colour to give you a proper mental
picture. If you had left me alone I'd have finished it ten minutes ago.
The rest moves with accelerated rhythm. It begins with the cracking of a
stick in the forest. Hark! A sharp crack is----"
"Every bum novel begins that way."
"Well, the real thing did, too! And it startled me. How did I know what
it might have been? It might have been a bear----"
"Or a cow."
"You talk," said Sayre angrily, "like William Dean Howells! Haven't you
_any_ romance in you?"
"Not what _you_ call romance. Pass the flapjacks."
Sayre passed them.
"My attention," he said, "instantly became riveted upon the bushes. I
strove to pierce them with a piercing glance. Suddenly----"
"Sure! 'Suddenly' always comes next."
"Suddenly the thicket stirred; the leaves were stealthily parted;
and----"
"A naked savage in full war paint----"
"Naked nothing! A young girl in full war paint and a perfectly fitting
gown stepped noiselessly out."
"Out of what? you gink!"
"The bushes, dammit! She held in her hand a curious contrivance which I
could not absolutely identify. It might have been a hammock; it might
have been a fish-net."
"Perhaps it was a combination," suggested Langdon cheerfully. "Good idea;
she to help you catch a trout; you to help her sit in the hammock;
afterward----"
Sayre, absorbed in retrospection, squatted beside the fire, a burnt
flapjack suspended below his lips, which were slightly touched with a
tenderly reminiscent smile.
"What are you smirking about _now_?" demanded Langdon.
"She was _such_ a pretty girl," mused Sayre, dreamily.
"Did you sit in the hammock with her?"
"No, I didn't. I'm not sure it was a hammock. I don't know what it was.
She remained in sight only a moment."
"Didn't you speak to her?"
"No. . . . We just looked. She looked at me; I gazed at her. She was so
unusually pretty, Curtis; and her grave, grey eyes seemed to meet mine
and melt deep into me. Somehow----"
"In plainer terms," suggested Langdon, "she gave you the eye. What?"
"That's a peculiarly coarse observation."
"Then tell it your own way."
"I will. The sunlight fell softly upon the trees of the ancient wood----"
Public-domain text, read in full here on John Shaqi.
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