Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
They went up the white stone steps of the old Bride house in which was
Eugene's leased studio, up two flights of red-carpeted stairs and
finally into the dark studio where he struck a match and lit, for the
art of it, candles. A soft waxen glow irradiated the place as he
proceeded and then Angela saw old Chippendale chairs, a Heppelwhite
writing-table, a Flemish strong box containing used and unused drawings,
the green stained fish-net studded with bits of looking glass in
imitation of scales, a square, gold-framed mirror over the mantel, and
one of Eugene's drawings--the three engines in the gray, lowering
weather, standing large and impressive upon an easel. It seemed to
Angela the perfection of beauty. She saw the difference now between the
tawdry gorgeousness of a commonplace hotel and this selection and
arrangement of individual taste. The glowing candelabrum of seven
candles on either side of the square mirror surprised her deeply. The
black walnut piano in the alcove behind the half draped net drew forth
an exclamation of delight. "Oh, how lovely it all is!" she exclaimed and
ran to Eugene to be kissed. He fondled her for a few minutes and then
she left again to examine in detail pictures, pieces of furniture,
ornaments of brass and copper.
"When did you get all this?" she asked, for Eugene had not told her of
his luck in finding the departing Dexter and leasing it for the rent of
the studio and its care. He was lighting the fire in the grate which had
been prepared by the house attendant.
"Oh, it isn't mine," he replied easily. "I leased this from Russell
Dexter. He's going to be in Europe until next winter. I thought that
would be easier than waiting around to fix up a place after you came. We
can get our things together next fall."
He was thinking he would be able to have his exhibition in the spring,
and perhaps that would bring some notable sales. Anyhow it might bring a
few, increase his repute and give him a greater earning power.
Angela's heart sank just a little but she recovered in a moment, for
after all it was very exceptional even to be able to lease a place of
this character. She went to the window and looked out. There was the
great square with its four walls of houses, the spread of trees, still
decorated with a few dusty leaves, and the dozens of arc lights
sputtering their white radiance in between, the graceful arch, cream
white over at the entrance of Fifth Avenue.
"It's so beautiful," she exclaimed again, coming back to Eugene and
putting her arms about him. "I didn't think it would be anything as fine
as this. You're so good to me." She put up her lips and he kissed her,
pinching her cheeks. Together they walked to the kitchen, the bedroom,
the bathroom. Then after a time they blew out the candles and retired
for the night.
CHAPTER II
Public-domain text, read in full here on John Shaqi.
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