Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
After the quiet of a small town, the monotony and simplicity of country
life, the dreary, reiterated weariness of teaching a country school,
this new world into which Angela was plunged seemed to her astonished
eyes to be compounded of little save beauties, curiosities and delights.
The human senses, which weary so quickly of reiterated sensory
impressions, exaggerate with equal readiness the beauty and charm of the
unaccustomed. If it is new, therefore it must be better than that which
we have had of old. The material details with which we are able to
surround ourselves seem at times to remake our point of view. If we have
been poor, wealth will seem temporarily to make us happy; when we have
been amid elements and personages discordant to our thoughts, to be put
among harmonious conditions seems, for the time being, to solve all our
woes. So little do we have that interior peace which no material
conditions can truly affect or disturb.
When Angela awoke the next morning, this studio in which she was now to
live seemed the most perfect habitation which could be devised by man.
The artistry of the arrangement of the rooms, the charm of the
conveniences--a bathroom with hot and cold water next to the bedroom; a
kitchen with an array of necessary utensils. In the rear portion of the
studio used as a dining-room a glimpse of the main studio gave her the
sense of art which dealt with nature, the beauty of the human form,
colors, tones--how different from teaching school. To her the difference
between the long, low rambling house at Blackwood with its vine
ornamented windows, its somewhat haphazard arrangement of flowers and
its great lawn, and this peculiarly compact and ornate studio apartment
looking out upon Washington Square, was all in favor of the latter. In
Angela's judgment there was no comparison. She could not have understood
if she could have seen into Eugene's mind at this time how her home
town, her father's single farm, the blue waters of the little lake near
her door, the shadows of the tall trees on her lawn were somehow,
compounded for him not only with classic beauty itself, but with her own
charm. When she was among these things she partook of their beauty and
was made more beautiful thereby. She did not know how much she had lost
in leaving them behind. To her all these older elements of her life were
shabby and unimportant, pointless and to be neglected.
This new world was in its way for her an Aladdin's cave of delight. When
she looked out on the great square for the first time the next morning,
seeing it bathed in sunlight, a dignified line of red brick dwellings to
the north, a towering office building to the east, trucks, carts, cars
and vehicles clattering over the pavement below, it all seemed gay with
youth and energy.
Public-domain text, read in full here on John Shaqi.
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