Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
Eugene grew more and more moody and rather restless under Stella's
increasing independence. She grew steadily more indifferent because of
his moods. The fact that other boys were crazy for her consideration was
a great factor; the fact that one particular boy, Harvey Rutter, was
persistently genial, not insistent, really better looking than Eugene
and much better tempered, helped a great deal. Eugene saw her with him
now and then, saw her go skating with him, or at least with a crowd of
which he was a member. Eugene hated him heartily; he hated her at times
for not yielding to him wholly; but he was none the less wild over her
beauty. It stamped his brain with a type or ideal. Thereafter he knew in
a really definite way what womanhood ought to be, to be really
beautiful.
Another thing it did was to bring home to him a sense of his position in
the world. So far he had always been dependent on his parents for food,
clothes and spending money, and his parents were not very liberal. He
knew other boys who had money to run up to Chicago or down to
Springfield--the latter was nearer--to have a Saturday and Sunday lark.
No such gaieties were for him. His father would not allow it, or rather
would not pay for it. There were other boys who, in consequence of amply
provided spending money, were the town dandies. He saw them kicking
their heels outside the corner book store, the principal loafing place
of the elite, on Wednesdays and Saturdays and sometimes on Sunday
evenings preparatory to going somewhere, dressed in a luxury of clothing
which was beyond his wildest dreams. Ted Martinwood, the son of the
principal drygoods man, had a frock coat in which he sometimes appeared
when he came down to the barber shop for a shave before he went to call
on his girl. George Anderson was possessed of a dress suit, and wore
dancing pumps at all dances. There was Ed Waterbury, who was known to
have a horse and runabout of his own. These youths were slightly older,
and were interested in girls of a slightly older set, but the point was
the same. These things hurt him.
He himself had no avenue of progress which, so far as he could see, was
going to bring him to any financial prosperity. His father was never
going to be rich, anybody could see that. He himself had made no
practical progress in schoolwork--he knew that. He hated
insurance--soliciting or writing, despised the sewing machine business,
and did not know where he would get with anything which he might like to
do in literature or art. His drawing seemed a joke, his writing, or wish
for writing, pointless. He was broodingly unhappy.
One day Williams, who had been watching him for a long time, stopped at
his desk.
"I say, Witla, why don't you go to Chicago?" he said. "There's a lot
more up there for a boy like you than down here. You'll never get
anywhere working on a country newspaper."
"I know it," said Eugene.
Public-domain text, read in full here on John Shaqi.
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