Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
There were days thereafter of the most curious composition. In the
morning he would leave dressed in his old working suit and carrying his
lunch box, Carlotta waving him a farewell from her window, or, if he had
an engagement outside with Carlotta, wearing a good suit, and trusting
to his overalls and jumper to protect it, working all day with John and
Bill, or Malachi Dempsey and Joseph--for there was rivalry between these
two groups as to which should have his company--or leaving the shop
early and riding with her a part of the time, coming home at night to be
greeted by Carlotta as though she had not seen him at all. She watched
for his coming as patiently as a wife and was as eager to see if there
was anything she could do for him. In the shop Malachi and Joseph or
John and Bill and sometimes some of the carpenters up stairs would
complain of a rush of work in order that they might have his assistance
or presence. Malachi and Joseph could always enter the complaint that
they were in danger of being hampered by shavings, for the latter were
constantly piling up in great heaps, beautiful shavings of ash and
yellow pine and walnut which smelled like resin and frankincense and had
the shape of girl's curls or dry breakfast food, or rich damp sawdust.
Or John and Bill would complain that they were being overworked and
needed someone in the car to receive. Even Big John, the engineer, tried
to figure out some scheme by which he could utilize Eugene as a fireman,
but that was impossible; there was no call for any such person. The
foreman understood well enough what the point was but said nothing,
placing Eugene with the particular group which seemed to need him most.
Eugene was genial enough about the matter. Wherever he was was right. He
liked to be in the cars or on a lumber pile or in the plane room. He
also liked to stand and talk to Big John or Harry Fornes, his basket
under his arm--"kidding," as he called it. His progress to and fro was
marked by endless quips and jests and he was never weary.
When his work was done at night he would hurry home, following the right
bank of the little stream until he reached a path which led up to the
street whereon was the Hibberdell house. On his way he would sometimes
stop and study the water, its peaceful current bearing an occasional
stick or straw upon its bosom, and contrasting the seeming peace of its
movement with his own troubled life. The subtlety of nature as expressed
in water appealed to him. The difference between this idyllic stream
bank and his shop and all who were of it, struck him forcefully. Malachi
Dempsey had only the vaguest conception of the beauty of nature. Jack
Stix was scarcely more artistic than the raw piles of lumber with which
he dealt. Big John had no knowledge of the rich emotions of love or of
beauty which troubled Eugene's brain. They lived on another plane,
apparently.
Public-domain text, read in full here on John Shaqi.
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