Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
And at the other end of the stream awaiting him was Carlotta, graceful,
sophisticated, eager in her regard for him, lukewarm in her interest in
morals, sybaritic in her moods, representing in a way a world which
lived upon the fruits of this exploited toil and caring nothing about
it. If he said anything to Carlotta about the condition of Joseph Mews,
who carried bundles of wood home to his sister of an evening to help
save the expense of fuel, she merely smiled. If he talked of the poverty
of the masses she said, "Don't be doleful, Eugene." She wanted to talk
of art and luxury and love, or think of them at least. Her love of the
beauty of nature was keen. There were certain inns they could reach by
automobile where they could sit and dine and drink a bottle of wine or a
pitcher of claret cup, and here she would muse on what they would do if
they were only free. Angela was frequently in Carlotta's thoughts,
persistently in Eugene's, for he could not help feeling that he was
doing her a rank injustice.
She had been so patient and affectionate all this long time past, had
tended him as a mother, waited on him as a servant. Only recently he had
been writing in most affectionate terms, wishing she were with him. Now
all that was dead again. It was hard work to write. Everything he said
seemed a lie and he did not want to say it. He hated to pretend. Still,
if he did not write Angela would be in a state of mortal agony, he
thought, and would shortly come to look him up. It was only by writing,
protesting his affection, explaining why in his judgment it was
unadvisable for her to come at present, that she could be made to stay
where she was. And now that he was so infatuated with Carlotta this
seemed very desirable. He did not delude himself that he would ever be
able to marry her. He knew that he could not get a divorce, there being
no grounds, and the injustice to Angela being such a bar to his
conscience; and as for Carlotta, her future was very uncertain. Norman
Wilson, for all that he disregarded her at times, did not want to give
her up. He was writing, threatening to come back to New York if she did
not come to him, though the fact that she was in her mother's home,
where he considered her safe, was some consolation to him. Angela was
begging Eugene to let her come. They would get along, she argued, on
whatever he got and he would be better off with her than alone. She
pictured him living in some uncomfortable boarding house where he was
not half attended to and intensely lonely. Her return meant the leaving
of this lovely home--for Mrs. Hibberdell had indicated that she would
not like to keep him and his wife--and so the end of this perfect
romance with Carlotta. An end to lovely country inns and summer
balconies where they were dining together! An end to swift tours in her
automobile, which she guided skilfully herself, avoiding the presence of
a chauffeur. An end to lovely trysts under trees and by pretty streams
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account