Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
Miriam Witla was a good wife to her husband. A daughter of a hay and
grain dealer in Wooster, a small town near Alexandria in McLean County,
she had never been farther out into the world than Springfield and
Chicago. She had gone to Springfield as a very young girl, to see
Lincoln buried, and once with her husband she had gone to the state fair
or exposition which was held annually in those days on the lake front in
Chicago. She was well preserved, good looking, poetic under a marked
outward reserve. It was she who had insisted upon naming her only son
Eugene Tennyson, a tribute at once to a brother Eugene, and to the
celebrated romanticist of verse, because she had been so impressed with
his "Idylls of the King."
Eugene Tennyson seemed rather strong to Witla pere, as the name of a
middle-western American boy, but he loved his wife and gave her her way
in most things. He rather liked the names of Sylvia and Myrtle with
which she had christened the two girls. All three of the children were
good looking,--Sylvia, a girl of twenty-one, with black hair, dark eyes,
full blown like a rose, healthy, active, smiling. Myrtle was of a less
vigorous constitution, small, pale, shy, but intensely sweet--like the
flower she was named after, her mother said. She was inclined to be
studious and reflective, to read verse and dream. The young bloods of
the high school were all crazy to talk to Myrtle and to walk with her,
but they could find no words. And she herself did not know what to say
to them.
Eugene Witla was the apple of his family's eye, younger than either of
his two sisters by two years. He had straight smooth black hair, dark
almond-shaped eyes, a straight nose, a shapely but not aggressive chin;
his teeth were even and white, showing with a curious delicacy when he
smiled, as if he were proud of them. He was not very strong to begin
with, moody, and to a notable extent artistic. Because of a weak stomach
and a semi-anaemic condition, he did not really appear as strong as he
was. He had emotion, fire, longings, that were concealed behind a wall
of reserve. He was shy, proud, sensitive, and very uncertain of himself.
Public-domain text, read in full here on John Shaqi.
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