The Genius of Scotland; or, Sketches of Scottish Scenery, Literature and ReligionTurnbull, Robert
Religion
The Genius of Scotland; or, Sketches of Scottish Scenery, Literature and Religion
Turnbull, Robert
Scotland -- Description and travel
rising towards the light of heaven, and then sinking in the "abysmal
dark."
The writings of Reid, Stewart and Brown have exerted a great influence
on the thinking of Scotland, which, even among the common people, has a
somewhat metaphysical turn. Combining with religion and poetry, it has
given to both a peculiar depth and earnestness of tone. In some it is
deeply practical, in others speculative and visionary.
Thomas Carlyle, the product chiefly of Scotland, but partly also of
Germany--or perhaps, rather, a magnificent "lusus naturæ," has a large
amount of Scottish shrewdness, enthusiasm and speculation, overlaid and
burnished with German spiritualism and romance. A native of Annandale,
and imbued with the religion of the Covenant, and the poetry of the
hills, he has wandered off into the fields of metaphysical speculation,
where, amid dreams of gorgeous and beautiful enchantment, he is evermore
uttering his burning oracular words, of half pagan, and half Christian,
wisdom. A genuine _Teufelsdröckh_,--he is yet a genuine _Scot_, and
cannot therefore forget the holy wisdom of his venerable mother, and his
Annandale home.[16]
[Footnote 16: The following graphic description of the residence,
personal appearance and conversation of Carlyle is from the pen of
Elizur Wright, Junr. "Passing the long lines of new buildings which have
stretched from Westminster up the Thames, and engulphed the old village
of Chelsea, in omnivorous London, you recognize at last the old Chelsea
Hospital, one of the world-famous clusters of low brick palaces, where
Britain nurses her fighting men when they can fight no more. A little
past this and an old ivy-clad church, with its buried generations lying
around it, you come to an antique street running at right angles with
the Thames, and a few steps from the river, you find Carlyle's name on
the door. A Scotch lass ushers you into the second story front chamber,
which is the spacious workshop of the world-maker. Here are lots of
books--ponderous tomes in Latin, Greek, and black letter English,--some
are on shelves occupying nearly all the walls, and some are piled on
tables and a reading rack as having just been read. The furniture speaks
of Scotch economy, and the whole face of things of more than common
Scotch tidiness. In fact, a superbly wrought bell-rope indicates that
the wife is a true hero worshipper. Carlyle is a mere man, ordinary
size, lofty and jutting brow, keen--exceedingly keen eye, and modest
unassuming manners. His voice is melodious, and with its rich Scotch
cadence, and rapid flow, reminds you of Thalberg's music in some strange
out of the way key. Just set him agoing, and he runs without stopping,
giving you whole masses of history, painting and poetry, and a great
mass of the boundless system of Carlyleism. There is nothing which he
does not touch; and figures of speech come tumbling in from all corners,
top and bottom of the universe, as the merest matter of course. Doubt,
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account