The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present dayNobili, Riccardo
History
The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present day
Nobili, Riccardo
Art -- Forgeries; Collectors and collecting; Forgery of antiquities
To gratify this collector’s hobby an informant turned up one day to
report that near Thebes a splendid statue of heroic proportions had
been discovered. It was said to be the effigy of a Rameses in all its
impassive beauty. Having knowledge of the collector’s penchant the
informant’s agent in Egypt had kept back the secret of the discovery.
In this way the collector was given the first refusal, the statue was
all ready to be shipped, the whole at the reasonable price of a hundred
thousand francs.
As usual the proposal was accompanied with convincing documents,
stamped letters, descriptive memoranda and so forth. Within view of a
long-desired ornament, the collector was easily induced to take part
in the transaction to be carried on with the usual secrecy, upon the
condition that the statue should be taken straight to his house on its
arrival, and in such a way as to preclude all knowledge on the part of
others.
Anyone unacquainted with the psychology of collectors--something
that never happens to fakers--might be inclined to imagine that
the schemer would try to hasten the conclusion of the business so
elaborately planned, for fear the buyer might change his mind or have
his eyes opened in some way. But our man knew that the collector
would speak to no one, lest he might lose the rare chance offered
him, and also that the longer the delay, the more obstacles met with
or surmounted, the keener would he become to possess the exceptional
“find.”
Finally, when the arrival of the statue was announced and it reached
the Paris railway station in due time, the collector, suspicious and
afraid like all true art lovers, insisted that it should be conveyed to
his house by night.
After so much picturesque mystery the _dénouement_ came, as usual, too
late and in the most banal manner. The fraud was exposed on the very
day of the exhibition, and the enraged collector started an energetic
search for the culprits, but the birds had flown--he only found the
empty cage, namely the atelier in a neighbouring street where his
Rameses had been given birth. The debris of the would-be Oriental
granite still strewed the floor.
“_Sic transit_----”
The faker and the forger are not prone to repentance. Vrain-Lucas, who
had made himself notorious by cheating M. Chasles, had hardly regained
his liberty after serving his term before he was again called to answer
for another fraud. For a poor provincial priest he had falsified a
whole genealogical tree.
Paul Eudel relates of one Oriental faker who proved himself as
impenitent as resourceful. Clever and gifted with the peculiar
shrewdness of the Oriental, he made his first _coup_ by selling to the
German Emperor some Moabite pottery which had certainly never been on
the shores of the Jordan nor on the coast of the Dead Sea. This clever
piece of trickery was recently discovered by the eminent Orientalist M.
Clermont-Ganneau.
Public-domain text, read in full here on John Shaqi.
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