The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present dayNobili, Riccardo
History
The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present day
Nobili, Riccardo
Art -- Forgeries; Collectors and collecting; Forgery of antiquities
By this system the way is opened to any member of the society to “cure”
an outsider of ambition or hope to buy advantageously at a sale. If
X., a new-comer, offers for some object its value, or even a trifle
more, he will nevertheless lose the object or be forced to bid to a
foolish figure, as one of the conspirators will bid against him and if
he happens to be obstinate he will pay dearly, but if by mischance the
object is left to his opponent after the fever of bidding has inflated
the price, the society makes good the loss sustained by its member.
Dividing the money losses among the members of the society,
considerably lessens the loss of the bidder who has run the price up
to an extravagant figure, in order to “punish” some one they consider
an invader.
The division of “damages” is generally effected as follows: After the
sale all the objects bought by the partners are put up to auction a
second time among the members of the society. At this second sale the
goods are likely to be disposed of at their real commercial value. If,
as is sometimes the case, the total returns of this second sale are
inferior to those of the auction room, the difference, paid to keep in
force the rule of “punishing,” is jointly borne by the co-operators,
and thus the cost of this “chastisement” game amounts to a small tax
that each partner of the “black band” very willingly pays. The “black
band,” as it is called in Paris, is so powerful that many not belonging
to the society often consent to deal with the members. Sometimes they
ask one of them to buy on their behalf. There may, of course, be a
trifling commission to pay, a certain percentage, but in the end it
comes considerably cheaper. Such transactions are naturally against
the disposition of the laws on auction sales, and are invariably made
without the consent or knowledge of the directors of the sale-room,
and it must be understood that if discovered there may be repression
and an unexpected and brusque recall to the strict observance of the
law. Hence the fluctuating success of such societies, which, however,
notwithstanding the trammels of regulations, appear to prosper.
One way of faking reputations, as it might be called, by which an
object is sold at a higher price than it would reach under ordinary
conditions, is to list it in the catalogue of a forthcoming sale of
some noted collection. The “faked reputation” here consists in the
fact that the name and reputation of the collector who had formed the
collection bestows lustre upon the object inserted in the sale. This
illegal proceeding, which well-known and reputable sale-rooms will not
countenance, has occasioned endless lawsuits with the usual uncertain
results, as the illegitimacy of the object is not always easy to prove.
Public-domain text, read in full here on John Shaqi.
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