The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present dayNobili, Riccardo
History
The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present day
Nobili, Riccardo
Art -- Forgeries; Collectors and collecting; Forgery of antiquities
_Mamurra_, another type handed down to us by the inexhaustible Martial,
never misses a day without visiting the _septa_. “Spends hours in
gadding about, reviews the rows of young slaves which he devours
with the eye of a critic, not, if you please, the common ones but
the choicest samples, those that are not on show to every one, not
to common people like us,” adds Martial. “When he has had enough of
this show, he goes to examine the furniture; there he discovers some
rich tables (_orbes_, round tables) hidden under some covering; then
he orders that some pieces of ivory furniture he wishes to examine be
taken down from the highest spot; afterwards he passes on to examine
a _hexaclinon_, a couch used in the _triclinium_, with six places,
veneered with tortoise-shell, and measures it four times. What a pity
it is not big enough to match his citrus table! A minute later he goes
to smell a bronze: Does it really smell of the Corinthian alloy? Of
course he is ready to criticize even your statues, O Polycletus! Then
those two rock crystals are not pure, some are a trifle nebulous,
others are marred by slight imperfections. Ah! here’s a murrhine. He
orders about a dozen to be put aside. He goes to handle some old
cups as if he would weigh the merit of each one, more especially that
of Mentor. He goes to count the emeralds on a golden vase, and the
enormous pearls we see dangling together on the ears of our elegant
ladies. Afterwards he goes to look everywhere on every side for real
sardonyx; his speciality is to collect large and rare pieces of jasper.
Finally, about the eleventh hour of the day, Mamurra is completely
exhausted, he must go home. He buys for an _as_ (less than three
farthings) two bowls and takes them with him” (IX, 59).
_Tongilius_ is the ponderous, important collector. He goes through the
places where the antiques are sold in an over-sized palanquin and with
his cortège and train of followers upsets everybody and everything.
Juvenal, by whom his character is handed down to us, remarks rather
sarcastically:
Spondet enim Tyrio stlataria purpura filo,
Et tamen est illis hoc utile (_Sat._ VII).
_Licinius_ is the type of the lunatic lover of art. He has a fine
collection, is wealthy and can buy the most expensive objects of virtu,
but he is far from happy. His mania is the fear that his rarities
may be stolen or become the prey of fire. He keeps hoards of slaves
watching his precious curios, night and day. “At night,” says Juvenal,
“a cohort of guardians sits up with buckets of water ready to hand in
case of emergencies; the poor man is in continual fear for his statues,
his amber figures, his ivory and tortoise-shell veneered furniture.”
Public-domain text, read in full here on John Shaqi.
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