The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present dayNobili, Riccardo
History
The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present day
Nobili, Riccardo
Art -- Forgeries; Collectors and collecting; Forgery of antiquities
Strict order having been dispensed with in this chapter, and as, after
all, fabrics are involved, we may here touch upon the subject of dress
and past costumes. The rarity of such collections depends not only
upon the fact that the roomy space of a museum is indispensable for
their display but largely upon the scarcity of past century costumes.
This branch of collecting is very useful to the history of fashion and
national costumes, but it must be considered that to be of interest to
the collector a dress must be at least forty years old, and very few
garments attain that age nowadays. Either they are altered to conform
to fashion, or unpicked or given away until they have run through the
scale of society and end in rags. The rarity of the genuine article
appears to correspond with the rarity of collectors of this line,
and there is therefore no question of fakes, unless one should take
seriously certain comic incidents and consider as a collector the
simpleton who buys the cast-off costumes of an elegant fancy dress ball
as genuine articles, those poor imitations, with no pretence at being
anything else, of Henry IV, Marie Antoinette, and other historical
garments.
Having mentioned the subject of costumes, we may speak of another
kind of collection that is also very useful to the history of past
usages and fashions, that of dolls and toys of past centuries. Dolls
and children’s toys are not an invention of to-day. It is safe to say
that their existence can be traced almost as far as the history of
civilization. The Romans used to bury dolls and toys with the bodies of
their little ones or place them in the funereal urn, a usage that has
preserved for us specimens of these tiny objects that have drawn smiles
from young lips closed and sealed centuries ago. Together with these
relics are other images that illustrate the history of costumes like
the dolls, the statuettes offered to temples and churches as ex-votos
and those used in the construction of the old _presepio_ (birth of
Christ scene), the Christmas Eve representations of the Bethlehem
scene. These wooden dolls and statuettes are not only artistic in
themselves, but are dressed in stuffs of their epoch very often cut in
the fashion of the time.
Public-domain text, read in full here on John Shaqi.
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