“Do you know my daily prayer?--Great Gods! let me keep the little I own, less if it is your pleasure; let me live according to my choice the days your indulgence has granted me; let me have plenty of books, one year’s income in advance that I may not be obliged to live day by day from hand to mouth.... As regards the peace of my heart and my happiness, that is my affair” (_Sat._, II, 6). Such contrarieties have a genuine echo in our society where the bibliomaniac is rarely a literary man or even slightly interested in literature. Bibliomaniacs collected volumes for the most part either because some of them were considered rare, and therefore advertised the high price paid for them, or because they might serve as a decorative show, but the collecting of general art and curios, with a few exceptions, appears to have been vacuous and freakish. Even specialization, which is held to be progress in modern times, but as a matter of fact more often merely represents the triumph of erudition over art and taste, exercised in Rome the momentary tyranny of fashion. An example of this specialization is given us by the craze in Rome for Corinthian bronze. Without entering into a discussion about the legend of its origin, and simply hinting that there are strong proofs that the alloy existed long before the siege of Corinth, we are safe in saying that the craze in Rome for Corinthian bronze was one of those freaks of fashion that has had, perhaps, no echo in all the after-history of “collectomania.” Every amateur was at that time bound to have at least one vase of the coveted metal. According to Pliny (XXXIV, 1, 2, 3) in his time this metal was equal to gold in value. In order to obtain two vases of this precious metal Mark Antony ordered the assassination of the owner, and it must be borne in mind that Mark Antony was accused of using golden vessels for the lowest services of his household. Octavianus, supposed to be a collector of mild passions and a man who certainly did give up all such hobbies on becoming emperor, was also very fond of the fashionable metal--_corinthiorum præcupidus_--and did not scruple to adopt the methods of Sulla and Mark Antony to gratify his ultra-fashionable taste. Times were then ripe for all forms of degeneration. Connoisseurs, like those of to-day, began to discuss _patina_. As it required years for Corinthian bronze to assume the proper patina--_Nobilis ærugo_, Horace calls it--it was natural that this alloy should have the preference over all other kinds of bronze. But there were gradations of colour even in this metal and value was discriminated according to the quality of the _patina_. Of these _patinæ_ the Roman collector recognized five different kinds. Apart from these varying degrees of merit, the connoisseur, Pliny tells us, could tell the quality of the alloy from its weight and determine the excellency of the _patina_ by its smell.