The Gentle Shepherd: A Pastoral Comedy — John Shaqi
The Gentle Shepherd: A Pastoral ComedyRamsay, Allan
General
The Gentle Shepherd: A Pastoral Comedy
Ramsay, Allan
Scottish drama -- 18th century
The genius of Ramsay was original; and the powers of his untutored
mind were the gift of nature, freely exercising itself within the
sphere of its own observation. Born in a wild country, and accustomed
to the society of its rustic inhabitants, the poet's talents found
their first exercise in observing the varied aspects of the mountains,
rivers, and vallies; and the no less varied, though simple manners,
of the rude people, with whom he conversed. He viewed the former with
the enthusiasm which, in early childhood, is the inseparable attendant
of genius; and on the latter he remarked, with that sagacity of
discriminating observation, which instructed the future moralist, and
gave the original intimations to the contemporary satirist. With this
predisposition of mind, it is natural to imagine, that the education,
which he certainly received, opened to him such sources of instruction
as English literature could furnish; and his kindred talents directed
his reading chiefly to such of the _poets_ as occasion threw in his
way.
Inheriting that ardour of feeling, which is generally accompanied with
strong sentiments of moral excellence, and keenly awake even to those
slighter deviations from propriety, which constitute the foibles of
human conduct, he learned, as it were from intuition, the glowing
language, which is best fitted for the scourge of vice; as well as the
biting ridicule, which is the most suitable corrective of gross
impropriety, without deviating into personal lampoon.
A consciousness of his own talents induced _Ramsay_ to aspire beyond
the situation of a mere mechanic; and the early notice, which his
first poetical productions procured him, was a natural motive for the
experiment of a more liberal profession, which connected him easily
with those men of wit, who admired, and patronised him. As a
book-seller, he had access to a more respectable class in society. We
may discern, in the general tenor of his compositions, a respectful
demeanour towards the great, and the rich, which, though it never
descends to adulation or servility, and generally seeks for an apology
in some better endowments than mere birth or fortune, is yet a
sensible mark, that these circumstances had a strong influence on his
mind.
As he extended the sphere of his acquaintance, we may presume, that
his knowledge of men, and acquaintance with manners, were enlarged;
and, in his latter compositions, we may discern a sufficient
intelligence of those general topics, which engaged the public
attention. The habits of polite life, and the subjects of fashionable
conversation, were become familiar, at this time, to the citizens of
Edinburgh, from the periodical papers of _Addison_ and _Steele_; and
the wits of _Balfour's_ Coffee-house, _Forrester_, _Falconer_,
_Bennet_, _Clerk_, _Hamilton_ of Bangour, _Preston_, and
_Crawford_,[37] were a miniature of the society, which was to be met
with at _Will's_ and _Button's_.
Public-domain text, read in full here on John Shaqi.
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