After the outburst, his voice sank with startling rapidity to a tone of honeyed confidence, and he wagged an inviting forefinger at Mr. Snoddy, who opened his mouth. “Shall we take an example? Not from the marvellous, my friends; let us seek an illustration from the ordinary. Is that not better? One familiar to the humblest of us. One we can all comprehend. One from our every-day life. One which will interest even the young. Yes. The common house-fly. On a window-sill we place a bit of fly-paper, and contiguous to it, a flower upon which the happy insect likes to feed and rest. The little fly approaches. See, he hovers between the two. One is a fatal trap, an ambuscade, and the other a safe harbor and an innocuous haven. But mystery allures him. He poises, undecided. That is the present. That, my friends, is the Present! What will he do? WHAT will he do? What will he DO? Memories of the past are whispering to him: 'Choose the flower. Light on the posy.' Here we clearly see the influence of the past upon the present. But, to employ a figure of speech, the fly-paper beckons to the insect toothsomely, and, thinks he; 'Shall I give it a try? Shall I? Shall I give it a try?' The future is in his own hands to make or unmake. The past, the voice of Providence, has counselled him: 'Leave it alone, leave it alone, little fly. Go away from there.' Does he heed the warning? Does he heed it, ladies and gentlemen? Does he? Ah, no! He springs into the air, decides between the two attractions, one of them, so deadly to his interests and--_drops upon the fly-paper to perish miserably_! The future is in his hands no longer. We must lie upon the bed that we have made, nor can Providence change its unalterable decrees.” After the tragedy, the orator took a swallow of water, mopped his brow with the figured handkerchief and announced that a new point herewith presented itself for consideration. The audience sank back with a gasp of release from the strain of attention. Minnie Briscoe, leaning back, breathless like the others, became conscious that a tremor agitated her visitor. Miss Sherwood had bent her head behind the shelter of the judge's broad shoulders; was shaking slightly and had covered her face with her hands. “What is it, Helen?” whispered Miss Briscoe, anxiously. “What is it? Is something the matter?” “Nothing. Nothing, dear.” She dropped her hands from her face. Her cheeks were deep crimson, and she bit her lip with determination. “Oh, but there is! Why, you've tears in your eyes. Are you faint? What is it?”