Behind the host's chair stood a red-haired girl in a blue cotton gown;
and in her hand she languidly waved a long instrument made of clustered
strips of green and white and yellow tissue paper fastened to a wooden
wand; with this she amiably amused the flies except at such times as the
conversation proved too interesting, when she was apt to rest it on the
shoulder of one of the guests. This happened each time the editor of
the “Herald” joined in the talk. As the men seated themselves they all
nodded to her and said, “G'd evening, Cynthy.” Harkless always called
her Charmion; no one knew why. When he came in she moved around the
table to a chair directly opposite him, and held that station throughout
the meal, with her eyes fixed on his face. Mr. Martin noted this
manoeuvre--it occurred regularly twice a day--with a stealthy smile at
the girl, and her light skin flushed while her lip curled shrewishly
at the old gentleman. “Oh, all right, Cynthy,” he whispered to her, and
chuckled aloud at her angry toss of the head.
“Schofields' seemed to be kind of put out with me this evening,”
he remarked, addressing himself to the company. “He's the most
ungratefullest cuss I ever come up with. I was only oratin' on how
proud the city ought to be of him. He fairly keeps Plattville's sportin'
spirit on the gog; 'die out, wasn't for him. There's be'n more money
laid on him whether he'll strike over and above the hour, or under and
below, or whether he'll strike fifteen minutes before time, or twenty
after, than--well, sir, we'd all forgit the language if it wasn't for
Schofields' bell to keep us talkin'; that's _my_ claim. Dull days, think
of the talk he furnishes all over town. Think what he's done to promote
conversation. Now, for instance, Anna Belle Bardlock's got a beau, they
say”--here old Tom tilted back in his chair and turned an innocent eye
upon a youth across the table, young William Todd, who was blushing over
his griddle-cakes--“and I hear he's a good deal scared of Anna Belle and
not just what you might call brash with her. They say every Sunday night
he'll go up to Bardlocks' and call on Anna Belle from half-past six till
nine, and when he's got into his chair he sets and looks at the floor
and the crayon portraits till about seven; then he opens his tremblin'
lips and says, 'Reckon Schofields' must be on his way to the court-house
by this time.' And about an hour later, when Schofields' hits four
or five, he'll speak up again, 'Say, I reckon he means eight.' 'Long
towards nine o'clock, they say he skews around in his chair and says,
'Wonder if he'll strike before time or after,' and Anna Belle answers
out loud, 'I hope after,' for politeness; but in her soul she says, 'I
pray before'; and then Schofields' hits her up for eighteen or twenty,
and Anna Belle's company reaches for his hat. Three Sundays ago he
turned around before he went out and said, 'Do you like apple-butter?'
but never waited to find out.
Public-domain text, read in full here on John Shaqi.
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