The night air wrapped them warmly, and the balm of the little breezes
that stirred the foliage around them was the smell of damask roses from
the garden. The creek tinkled over the pebbles at their feet, and a
drowsy bird, half-wakened by the moon, crooned languorously in the
sycamores. The girl looked out at the flashing water through downcast
lashes. “Is it because it is so transient that beauty is pathetic?” she
said; “because we can never come back to it in quite the same way? I am
a sentimental girl. If you are born so, it is never entirely teased
out of you, is it? Besides, to-night is all a dream. It isn't real, you
know. You couldn't be mawkish.”
Her tone was gentle as a caress, and it made him tingle to his
finger-tips. “How do you know?” he asked in a low voice.
“I just know. Do you think I'm very 'bold and forward'?” she said,
dreamily.
“It was your song I wanted to be sentimental about. I am like one 'who
through long days of toil'--only that doesn't quite apply--'and nights
devoid of ease'--but I can't claim that one doesn't sleep well here; it
is Plattville's specialty--like one who
“'Still heard in his soul the music
Of wonderful melodies.'”
“Those blessed old lines!” she said. “Once a thing is music or poetry,
all the hand-organs and elocutionists in the world cannot ruin it, can
they? Yes; to live here, out of the world, giving up the world, doing
good and working for others, working for a community as you do----”
“I am not quite shameless,” he interrupted, smilingly. “I was given a
life sentence for incompetency, and I've served five years of it, which
have been made much happier than my deserts.”
“No,” she persisted, “that is your way of talking of yourself; I know
you would always 'run yourself down,' if one paid any attention to it.
But to give up the world, to drop out of it without regret, to come
here and do what you have done, and to live the life that must be so
desperately dry and dull for a man of your sort, and yet to have the
kind of heart that makes wonderful melodies sing in itself--oh!” she
cried, “I say that is fine!”
“You do not understand,” he returned, sadly, wishing, before her, to
be unmercifully just to himself. “I came here because I couldn't make
a living anywhere else. And the 'wonderful melodies'--I have known you
only one evening--and the melodies--” He rose to his feet and took a few
steps toward the garden. “Come,” he said. “Let me take you back. Let us
go before I--” he finished with a helpless laugh.
She stood by the bench, one hand resting on it; she stood all in the
tremulant shadow. She moved one step toward him, and a single, long
sliver of light pierced the sycamores and fell upon her head. He gasped.
“What was it about the melodies?” she said.
“Nothing! I don't know how to thank you for this evening that you have
given me. I--I suppose you are leaving to-morrow. No one ever stays
here.--I----”
“What about the melodies?”
Public-domain text, read in full here on John Shaqi.
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