But I must not allow my enthusiastic admiration to carry me too far. I will therefore conclude the present section by making a few observations on the peculiar style of our author’s writings. According to Galen, whose extensive acquaintance with Greek literature rendered him a most competent judge, the characteristics of his style are extreme conciseness, precision, and, in certain cases, obscurity, as the natural result of labored brevity.[60] To these traits of character he adds, elsewhere, that Hippocrates makes it a rule to avoid all superfluity of discussion and unnecessary repetitions, and never says more than what is indispensable.[61] Now, it is no proper objection to this general view of the character of his style, as stated by M. Littré, that it is not the same in all his works; as, for example, in his treatise “On Airs, Waters, and Places,” where the style is certainly not so laconic as in some of his others; although, even with regard to it, I must be permitted to say that I agree with a most competent authority, the late Dr. Coray, that its style is remarkable for conciseness.[62] And, indeed, if brevity of expression, bordering at times upon obscurity, be not the characteristic of the style of Hippocrates, we must admit that his mode of composition is not in accordance with the taste of his age. There can be no doubt that the style of Hippocrates is nearly akin to that of his contemporary, the historian Thucydides, which is thus described by a very acute and original critic: “The most obvious and characteristic of his peculiarities is an endeavor to express as much matter as possible in as few words as possible, to combine many thoughts into one, and always to leave the reader to supply something of his own. Hence his conciseness often becomes obscure.”[63] I would beg leave to add that other peculiarities in the style of Thucydides, which are severely animadverted upon by Dionysius, may be clearly recognized also in the writings of Hippocrates, especially irregularities of syntax, with a somewhat rude and inartificial mode of constructing his sentences. I mention this the rather that the English reader may not expect to find in my translation any of those well-turned periods and graceful modes of construction by which elegant composition is now distinguished. I wish it to be known that in making this translation, I have followed the example of the modern authority lately referred to, that is to say, I have been more studious of fidelity than of elegance, and have endeavored to give not only the matter, but also the manner, of my author.[64] * * * * * As promised above, I here subjoin that Mythical Genealogy of Hippocrates from Tzetzes.