The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19 — John Shaqi
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
An account of German narrative writing of the present time is
a kind of ethnography of the German stocks and regions. The names
above-mentioned, selected without prejudice and also without
arbitrariness, ought to be represented here each with a specimen. In
part, these authors have been represented in the preceding volumes. The
necessary limits of this volume permit consideration of only a dozen.
The varieties of language and style which distinguish them one from
another cannot fail to be somewhat obscured in a translation;
nevertheless, the six pairs which we have arrayed according to racial
affiliation and age are well adapted to give an impression of the
manifoldness of German narrative prose at the beginning of the
twentieth century.
In the first place we mention two women, Helene Böhlau and
Clara Viebig. Both have passed through the naturalistic
school--for the former, indeed, naturalism marked only a period of
transition; for the latter it meant conversion to a creed to which she
has remained faithful.
The cradle of Helene Böhlau stood on classic ground. Exactly one
hundred years after Schiller, in November, 1859, she was born in
Weimar, the daughter of a publisher whose name has become known chiefly
in connection with the great Weimar edition of Goethe's complete works.
Her grandmother, "Grammie" as the children called the old lady, took to
her heart the shy and timid girl and revealed to her from the
recollections of her own youth the glory that once was and that still
gleamed as a memory within the dim and narrow confines of the
Thuringian capital city. Out of the anecdotes that the grandmother
told, the book grew which first made the name of the authoress famous,
_Tales of the Councillor's Girls_ (_Ratsmädelgeschichten_, 1888). "In
the midst of the great German Empire," the book begins, "lies a little
city famed far and wide, Weimar in Thuringia. When my grandmother was a
child there ruled over this country a very wise and good prince who
because of his goodness and wisdom had prevailed upon great poets then
living to come and dwell in his city. And because he was so exceedingly
wise and was so beloved and honored by all, poets and scholars came
from all sides, lived in the prince's city, and wrote there such
splendid works that the whole world marveled. Even today what these men
thought and wrote is the most beautiful thing that we know, and it will
remain so for a long, long time to come. About these men everything
conceivable has been often told and accurately described, and people
will talk of them centuries hence. But by their side there dwelt in the
city in those days many men of whom nowadays no more mention is made.
They too experienced joys and sorrows; they too had their day, felt
deeply, were glad and sad, and had hearts like the others."
Public-domain text, read in full here on John Shaqi.
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