The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Lina went out to prepare something to eat, and Billy leaned back on the
sofa and closed her eyes. Yes, she really felt as if she had put away
with her clothes the cares and unrest of the former Billy. With the
dotted blue and white linen dress, with the big collar and the coarse
shirt that scratched her skin, it seemed as if she had imbibed
something of the carefree, almost shameless peacefulness with which
Lina had lazily and indolently moved her body, distorted by motherhood,
along the vegetable beds of the garden.
Now Lina brought milk, a shiny, brown loaf, and a great deal of honey.
Billy began to eat; at first with ravenous hunger, then slowly with
enjoyment, almost with devotion: she could not remember ever having had
anything taste so good to her.
When she was satisfied, she rested her arms heavily on the table. In
these unwonted clothes she had an impulse to go through motions which
were otherwise never characteristic of her, which perhaps were Lina's.
Her cheeks were flushed again, her eyes shining, and impatience for
life warmed her blood. Lina sat facing her, her hands laid flat on
her knees, and looked at her steadily and patiently out of her small
blue eyes.
"I think," remarked Billy, "we will go and see the cow, the chickens,
and the bees now."
That was it: in this comical blue dress she felt like going about the
farm outside; yes, she was convinced that she would be able to walk
along between the vegetable beds quite as lazily and cheerfully as
Lina. But when she stood up she felt that her legs were stiff and
pained her.
"Oh, no, let us stay here," she said, "and let us talk instead."
But the calm of the big, heated girl facing her made her impatient.
Could one not poke up this calm, as the child Billy had poked up the
small, quiet ant-hills, so that they immediately teemed with excited
life. "Are you not afraid?" asked Billy suddenly.
"Afraid?" answered Lina, "why? Oh, I see, you mean about that; naw,
what is there to be afraid of?"
"But some die of it," Billy went on probing.
Lina drew the back of her hand across her eyes and smiled faintly.
"Yes, some die." The two girls were silent for a time, listening to the
clamor of the canaries. Then Lina began to ask in her deep, somewhat
singing voice, "And yours is gone too?"
Billy blushed. "Yes, gone," she murmured uncertainly.
Lina sighed. "Yes," she said, "men are a cross, they always go away.
That's what happens to all of us."
Billy was silent, but it was like security and peace to her, this "us"
which placed her in the ranks of the girls who with calmness and
strength take the burden of life upon them.
The rumble of a wagon was heard outside. Immediately thereafter the old
man appeared in the door with a whip in his hand, saying, "We can start
now, young lady." Billy had to put on a very large yellow straw hat,
and then they drove away.
Public-domain text, read in full here on John Shaqi.
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