The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
As he wasted his time at home, was slow and generally inattentive in
class hours, and had a bad record with his teachers, he always brought
home the most wretched reports; at which his father, a tall, carefully
dressed gentleman with meditative blue eyes, who always wore a
wild flower in his button-hole, shewed himself both incensed and
distressed. But to his mother, his beautiful mother with the black
hair, whose name was Consuelo and who was altogether so different from
the other ladies of the town, because Tonio's father had once fetched
her from clear down at the bottom of the map--to his mother his reports
were absolutely immaterial.
Tonio loved his dark, passionate mother, who played the piano and the
mandolin so wonderfully, and he was happy that she did not grieve over
his doubtful position among men. On the other hand, however, he
realized that his father's anger was much more estimable and
respectable, and although he was censured by his father, he was at
bottom quite in agreement with him, whereas he found the cheerful
indifference of his mother a trifle unprincipled. At times his thoughts
would run about thus: "It is bad enough that I am as I am, and will not
and cannot alter myself, negligent, refractory, and intent on things
that nobody else thinks of. At least it is proper that they should
seriously chide and punish me for it, and not pass it over with kisses
and music. After all, we aren't gipsies in a green wagon, but decent
folks, Consul Krögers, the Kröger family" ... And not infrequently he
would think: "Well, why am I so peculiar and at outs with everything,
at loggerheads with my teachers and a stranger among the boys? Look at
them, the good pupils and those of honest mediocrity. They don't think
the teachers funny, they write no verses, and they only think what
others think and what you can say out loud. How proper they must feel,
how satisfied with everything and everybody. That must be nice ... But
what ails me, and how will all this end?"
This fashion of scrutinizing himself and his relation to life played an
important part in Tonio's love for Hans Hansen. First of all he loved
him because he was handsome; but also because he seemed to be his own
antipodes and converse in all respects. Hans Hansen was an excellent
scholar and at the same time a lively fellow who rode, swam, and played
athletic games like a hero and rejoiced in universal popularity. The
teachers were devoted to him almost to the point of affection, called
him by his Christian name, and advanced him in every way; his comrades
were eager for his favor, and on the street ladies and gentlemen would
stop him, seize him by the tuft of flaxen hair that peeped out from
under his Danish sailor's cap, saying, "Good day, Hans Hansen with
your pretty tuft! Are you still _Primus_? Remember me to father and
mother, my fine boy ..."
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