The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
That was Hans Hansen, and ever since Tonio Kröger first knew him he
felt a longing as often as he beheld him, an envious longing that dwelt
above his breast and burned there. "Oh, if one had such blue eyes," he
thought, "and lived such an orderly life and in such happy communion
with the whole world as you do! You are always occupied in some
decorous and universally respected way. When you have done your tasks
for school, you take riding lessons or work with the fret-saw, and even
in the long vacation on the seashore your time is taken up with rowing,
sailing, and swimming; while I lie lost in idle thought on the sand,
staring at the mysteriously changing expressions that flit over the
countenance of the sea. And that is why your eyes are so clear. To be
like you." ...
He did not make the attempt to be like Hans Hansen, and perhaps he did
not even mean this wish very seriously. But he did have an aching
desire to be loved by Hans, just as he was, and he sued for that love
in his fashion, a slow and intimate, devoted, passive and sorrowful
fashion, but a sorrow which can burn more deeply and consumingly than
all the swift passionateness one might have expected in view of his
foreign appearance.
And he did not sue wholly in vain; for Hans, who by the way respected a
certain superiority in Tonio, a skill in speech which enabled him to
give utterance to difficult matters, understood quite well that an
unusually strong and tender affection was vibrating here, showed
himself grateful, and gave Tonio many a happy hour by meeting him
half-way--but also many a pang of jealousy and disappointment, the
pain of a vain endeavor to find a common spiritual ground. For the
remarkable thing was that Tonio, although he envied Hans Hansen for his
way of living, constantly tried to bring him around to his own, which
he could never do for more than a few minutes, and then only in
seeming.
"I've just been reading something wonderful, something splendid," he
said. They were walking along, eating fruit tablets from a bag which
they had purchased at Iverson's on Mill Street for ten pfennig. "You
must read it, Hans, it is _Don Carlos_ by Schiller. I'll lend it to
you, if you wish."
"No, no," said Hans Hansen, "never mind, Tonio, that's not my style. I
stick to my horse-books, you know. Splendid illustrations in them, I
tell you. Sometime I'll show them to you at the house. They are
snap-shots, and you see the horses trotting and galloping and jumping,
in every position, such as you would never see in life because they
move too fast."
"In all positions?" asked Tonio politely. "Yes, that's fine, but as for
_Don Carlos_, it is beyond all comprehension. There are passages in it,
you'll see, that are so beautiful that it gives you a jerk, as if
something had suddenly burst."
"Burst?" asked Hans Hansen. "How do you mean?"
Public-domain text, read in full here on John Shaqi.
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