The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
eloquence of a Hamlet today?"
"Are you through now, Tonio Kröger?"
"No. But I will say no more."
"Nor do you need to.--Do you expect an answer?"
"Have you any?"
"I should think I had.--I have listened closely to you, Tonio, from
beginning to end, and I will give you the answer which fits everything
you have said this afternoon, and which is the solution of the problem
that has disquieted you so. Well, then! The solution is this, that you,
just as you sit there, are simply an ordinary man."
"Am I?" he asked, collapsing a little.
"That is a cruel blow, isn't it? It must be. And therefore I will
soften my sentence a little, for I can do so. You are an ordinary man
astray, Tonio Kröger,--an erring commoner."
--Silence. Then he stood up resolutely and reached for hat and cane.
"I thank you, Lisaveta Ivanovna; now I can go home in peace. _I am
finished._"
V
Toward autumn Tonio Kröger said to Lisaveta Ivanovna,
"Yes, I am going away now, Lisaveta; I must take an airing, and I am
going off, going to take to the open."
"Well, how is it, Little Father, will it be your royal pleasure to
return to Italy?"
"Good gracious, go on with your Italy, Lisaveta! Italy is indifferent
to me to the point of contempt. It is a long time since I imagined I
belonged there. Art, eh? Velvety blue sky, fiery wine, and sweet
sensuality ... In short, I don't like it. I resign. The whole
_bellezza_ makes me nervous. Nor I don't like all these frightfully
lively human beings down there with their black animal eyes. None of
the Romance peoples have any conscience in their eyes.... No, now I am
going up to Denmark for a while."
"To Denmark?"
"Yes. And I promise myself benefit from it. Chance kept me from ever
going there, close as I was to the boundary all through my youth, and
yet I have always known and loved the place. I suppose I must have this
affection for the north from my father, for my mother was really fonder
of the _bellezza_, that is, provided she didn't find everything utterly
immaterial. But take the books that are written up there, those deep,
pure, humorous books, Lisaveta--to me there is nothing like them and I
love them. Take the Scandinavian meals, those incomparable meals that
you can only stand in a strong salt air (I don't know whether I can
stand them at all any more), and that I'm a little familiar with
from my own home, for that's just the way we eat at home. Or just
simply take the names, the personal names that adorn the people up
there, and that we also had in large numbers at home, take a name
like Ingeborg,--a harp-chord of the most immaculate poesy. And then the
sea--they have the Baltic up there! ... In short, I am going up there,
Lisaveta. I wish to see the Baltic again, hear these names again, read
those books on the spot; and I wish to stand on the terrace of
Kronborg, where the ghost appeared to Hamlet and brought distress and
death upon the poor, noble young man ..."
Public-domain text, read in full here on John Shaqi.
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