The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"And in the last analysis, would it not show a lamentable lack of
logic, if one were glad to have it otherwise? It is inconsistent to
love life, and none the less to endeavor constantly with every possible
device to drag it over to your side, to win it over to the finesses and
melancholies, the entire diseased nobility of literature. The realm of
art is waxing, and that of health and innocence is waning on earth. One
should preserve as carefully as possible the little that is left of it,
nor try to seduce into poetry those who much prefer to read books about
horses with instantaneous photographs in them.
"For, after all, what sight is more pitiful than life making an attempt
at art? We artists despise no one more thoroughly than the dilettante,
the red-blooded man, who thinks he can be an artist occasionally and on
the side. I assure you, this kind of disdain is one of my own most
personal experiences. I find myself in company in an aristocratic
house, we eat, drink, and converse, and understand each other
perfectly, and I feel glad and grateful to be able to disappear for a
time among harmless and regular people as a normal man.
Suddenly--this has happened to me--an officer rises, a lieutenant, a
handsome, well-built fellow, of whom I should never have suspected an
action unworthy of his honorable dress, and begs in unambiguous words
for permission to communicate to us a few verses which he has
manufactured. With a smile of consternation the permission is given
him, and he carries out his purpose, reading his composition
from a slip of paper which he has till then kept hidden in his
coat-tail,--something about music and love;--in short, as deep in
feeling as it is ineffective. Now in the name of all the world: a
lieutenant! One of the lords of the earth! _He_ surely doesn't need
it!... Well, the result is inevitable: long faces, silence, a little
artificial applause, and the profoundest discomfort round about. The
first spiritual fact of which I become conscious is that I feel myself
an accomplice in the upsetting of the company by this indiscreet young
man; and sure enough: I too, upon whose province he has encroached,
catch glances of mockery and scepticism. But the second fact is that my
opinion of this man, for whose whole being I had just felt the most
honest respect, suddenly falls, falls, falls ... A compassionate
benevolence seizes me. With other courageous and good-natured gentlemen
I step up to him and encourage him. 'Congratulations,' I say, 'what a
delightful talent! Really, that was most charming.' And I am not far
from clapping him on the shoulder. But is benevolence the feeling that
one should have toward a lieutenant? ... His own fault! There he stood
and in great embarrassment atoned for the erroneous idea that one may
pluck a leaf, just one, from the bay-tree of art, without paying for it
with one's life. No, there I agree with my colleague, the criminal
banker. But tell me, Lisaveta, don't you think I am endowed with the
Public-domain text, read in full here on John Shaqi.
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