The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
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The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Whither was he going? It seemed to him as if the direction he took had
some connection with his sad and strangely penitent dreams by night ...
To the market he went, through the vaulted arches of the city hall,
where butchers weighed their wares with blood-stained hands, and to the
market-place, where the high, pointed, and variegated Gothic fountain
stood. There he stood still before a house, a narrow, simple house,
like many others, with an openwork gable of curving lines, and became
lost in contemplation of it. He read the name-plate on the door, and
let his eyes rest a while on each window. Then he turned slowly away.
Whither was he going? Homeward. But he chose a roundabout way, taking a
walk out beyond the gate, for there was plenty of time. He went across
the Mill Rampart and the Holsten Rampart, holding his hat firmly
against the wind that creaked and groaned in the trees. Then he forsook
the park strip along the ramparts not far from the station, watched a
train puff by in clumsy haste, counted the cars to pass the time, and
looked after the man who sat perched high on the last one. But he came
to a stop on the square with the lindens before one of the pretty
villas that stood there, looked long into the garden and up at the
windows, and finally took a notion to swing the garden-gate back and
forth and make the hinges screech. Then he contemplated for a time his
hand, which had become cold and rusty, and went on, through the old
square-built gate, along the harbor, and up the steep, draughty, and
wet Gable Street to the house of his parents.
Closed in by the neighboring houses which its gable overtopped, it
stood there gray and forbidding as for these three hundred years past,
and Tonio Kröger read the pious legend that was above the door in half
effaced letters. Then he drew a deep breath and went in.
Public-domain text, read in full here on John Shaqi.
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