The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
His heart beat fearfully, for he half expected his father might issue
from one of the doors on the ground floor past which he was walking,
his father in office coat and with a pen behind his ear, who would stop
him and sternly call him to account for his extravagant life,--which
censure he would have found quite proper. But he got past the doors
unmolested. The storm door was not shut, but only pulled to, which he
considered censurable, while at the same time he felt as in certain
light dreams, when hindrances vanish of themselves before us and we
press forward unchecked, favored by wonderful good fortune ... The
spacious hall, paved with large square slabs of stone, echoed to his
tread. Opposite the kitchen, where all was still, the strange, clumsy,
but neatly varnished partition-rooms jutted out from the wall at a
considerable height; these were the servants' rooms, which could only
be reached by a sort of open staircase from the hall floor. But the
great wardrobes and the carved chest that used to stand here were
gone ... The son of the house set foot upon the mighty staircase and
rested his hand upon the white enameled, fretwork banister, lifting it,
however, at each step and then gently dropping it again at the next
one, as if he were timidly trying to see whether his former familiarity
with this respectable old banister could be restored ... On the first
landing, before the entrance to the so-called "intermediate story," he
stood still. A white door-plate was fastened to the door, and on it
could be read in black letters: People's Library.
People's Library? thought Tonio Kröger, for it seemed to him that
neither the people nor literature had any business here. He knocked on
the door, heard "Come in," and obeyed. With gloomy curiosity he looked
in upon a most unseemly alteration.
The apartment was three rooms deep, and the connecting doors were open.
The walls were covered almost to the top with books in uniform
bindings, which stood in long rows on dark shelves. In each room a
needy looking individual sat writing behind a sort of counter. Two of
them merely turned their heads toward Tonio Kröger, but the first one
stood up hastily, rested both hands on the table before him, thrust his
head forward, pursed his lips, drew up his eyebrows, and looked at the
visitor with rapidly winking eyes ...
"Excuse me," said Tonio Kröger, without turning his eyes from the many
books. "I am a stranger here, and am taking a look at the city. So this
is the People's Library? Would you permit me to look into the
collection a little?"
"Willingly," said the official, winking still more vehemently ...
"Certainly, that is every one's privilege. Please look around ...
Should
you care for a catalogue?"
"Thank you," said Tonio Kröger, "I can easily find my bearings." And he
began to walk slowly along the walls, pretending to be reading the
titles on the backs of the books. Finally he took out a volume, opened
it, and went to the window with it.
Public-domain text, read in full here on John Shaqi.
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