The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
When I arrived in front of the building a gray-veiled figure was
crouching on the steps. I stopped in dismay. With her hat pushed back
behind her shoulders, she sat cowering forward. Her head, covered by
her gray cloak, rested upon her right arm bent at the elbow; her right
hand clasped the back of her neck and gleamed forth incredibly white
and fine from under the dull folds and wrinkles of her garment; her
left hand she stretched toward me beneath her right arm, in
supplication. A beggar, it seemed, had collapsed here exhausted, and
even in sleep did not forget her necessity. I stood still and thought:
"Take her in your arms! Carry her away!" But that was not what her hand
wanted.
"Do you beg for my heart?" I whispered to her. "I can put my heart into
your heart, but not into your hand!" I hurried past her into the palm
room and seated myself in the darkest corner.
Mara did not follow me.
I ordered a sherbet. But for the same reason that the restless running
about in the noon-day glow had not heated me, the cool of the marble
walls now made me shiver, and the sherbet gave me such an icy thrill
that I hardly touched it. Nevertheless, I did not dare to go out again.
I could not another time pass the figure on the steps. I sat there in
agony, and against my will gazed into the little fountain, though the
eternal tossing of its little ball and its splashing were a torture to
me. So I was a captive. Had she come in, she would have seen me
prostrate at her feet, and that was my sole desire.
Against what, then, was I struggling? Does one struggle against love?
Is not that insanity?
When my time was up, I forced myself to arise, and stepped out, in deep
shame and anxiety. She was no longer there. I stared in amazement at
the spot where she had sat and hastened despairingly for home.
The evening passed and my work with it. The boys went to bed, Donna
Leocadia disappeared in her quarters, her bolt snapped like a gun-shot
into its socket, and I did not even smile. Voices could still be heard
coming from the bedroom, and I did not call for silence.
I was as wide-awake as I had hardly been in the morning; to what end
should I lie down to rest? After I had turned out the light, I seated
myself in the large reading room--its windows and door opening on the
courtyard had not been closed--on a little school bench, and abandoned
myself to my thoughts.
Where was I? Was I sitting here, watching the first moonbeam glide
across the floor? Was I roaming in the park? Was I loitering about the
city? Was my heart beating within me, so gently? Was it not beating
from some place far distant in the abyss of time? Was there not in my
breast a yearning emptiness, a painfully anxious void? Oh--I had
fancied that Mara was holding out her hand for my heart, and I must
keep it: was it not in fact lying in the hollow of her hand,
unsubstantial, a shade, a particle of dust? The wind may have blown it
away and dissipated it.--
Public-domain text, read in full here on John Shaqi.
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