The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
When he had exercised his imagination sufficiently on this exciting
picture, he went on turning over the pages, and presently came to
another that arrested him, though in quite a different way. It was a
bright and cheerful picture--a pretty arbor, on the outer boughs of
which hung a star for a sign. On the star sat, with ruffled neck and
open beak, a little bird singing. Inside the arbor was to be seen,
about a rough rustic table, a small group of young men, students
or roving journeymen, who chatted and drank a good wine out of
cheerful-looking bottles. To one side of the picture was visible a
ruined castle raising its towers to heaven, and in the background a
fair landscape stretched away, as it might have been the Rhine valley,
with a river and boats and distant hills. The revellers were all
handsome youths, merry and amiable lads, smooth-faced or with light
youthful beards, who were evidently singing over their wine the praises
of friendship and love, of the good old Rhine and of God's blue heaven.
At first this engraving reminded the morose and lonely man who looked
at it of his own better days, when he, too, could call for a bottle of
wine, and of the many glasses of good sound stuff which he had
consumed. But by degrees the conviction stole over him that he had
never been as happy and gay as these young revellers, even long ago in
his light-hearted years of wandering, when he had taken the road as a
journeyman-locksmith. The summer gladness in the arbor, the bright,
good-humored faces of the young people made him sad and angry. He
wondered whether it was all the invention of a painter, idealized and
false, or whether there were in reality somewhere such arbors and such
merry, carefree youths. Their smiling faces filled him with an envious
longing; the more he looked at the picture, the more he felt as though
he were looking for a moment through a small window into another world,
into a fairer country and the life of freer and more gracious men than
he had ever met in his life. He did not know into what strange kingdom
he was gazing, nor that his feelings were those of people who read
poetry, and get their pleasure in the beauty of the description from
the reflection how much smaller and meaner the every-day reality is,
passing into a slight, sweet sadness and longing. He did not well
understand how to extract the sweetness from this kind of sadness, and
so he shut the book, threw it angrily on the table, muttered a forced
"Good night," and went up to his room, where the moonlight lay on bed
and floor and chest and was reflected in the filled wash-basin. The
deep stillness, early as the hour was, the peaceful moonlight, and the
emptiness of the room, almost too large for a mere sleeping-chamber,
awoke in the rough old fellow a feeling of unbearable loneliness, from
which he escaped only after many muttered curses and some time later
into the land of slumber.
Public-domain text, read in full here on John Shaqi.
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