The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"That's all right, sailmaker, that's all right. You're like a
hand-organ with only one tune--you haven't any changes. As far as the
women are concerned, I dare say you're right. But enough of anything is
enough. You ought to get another waltz put in--anything else, you
know--otherwise I wouldn't care if some one stole you."
The manufacturer was secure against such declarations. This was well
enough, but it did not make him happy. The more patient his auditor
was, the deeper he sank in his melancholy. A few times the sovereign
light-heartedness of the good-for-nothing Finkenbein infected him
for half an hour to the extent of reviving the grand gestures
and sententious utterances of his golden days--but his hands had
grown stiff, and the words no longer came from his heart. In the
last sunshiny days of autumn he sometimes sat under the decaying
apple-trees; but he never looked on town and valley now with envy or
desire. His glance was far-away and strange, as if all this meant
nothing to him and was out of his range. As a matter of fact, it did
mean nothing to him, for he was visibly breaking up and had nothing
more ahead of him.
His decline came on him very swiftly. It was true that soon after his
downfall, in the thirsty days when he first grew well acquainted with
the "Sun," he had grown very gray and begun to lose his agility. But he
had been able for years to get about and drink many a glass of wine and
play the leading part in a conversation in the tavern or on the street.
It was only the poorhouse that had really brought him to his knees.
When he had rejoiced at his installation there, he had not realized
that he was cutting off the best threads of his life. For he had no
talent for living without projects and prospects and all sorts of
movement and bustle; and it was when he had given in to weariness and
hunger and abandoned himself to rest that his real bankruptcy took
place. Now there was nothing left for him but to wait a little while
until his life went out.
The fact was that Hürlin had been too long accustomed to tavern life. A
gray-haired man cannot break off old habits, even when they are
vicious, without damage. His loneliness and his breach with Heller had
helped to make him increasingly silent; and when a great talker grows
silent, it means that he is well on the road toward the churchyard.
Public-domain text, read in full here on John Shaqi.
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