The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The good-hearted Finkenbein, coming gradually to suspect that all
manner of ghosts were closing in upon the manufacturer, sometimes gave
him an encouraging word, or clapped him on the shoulder with a
consoling laugh. "I say, Mr. Councillor, you oughtn't to study so much.
You're quite clever enough--in your time you got the best of plenty of
rich and clever people, didn't you? Don't be cross, millionaire--I
don't mean any harm. It's just my little joke--man, think of the holy
text up over your bed!" And he would spread out his arms with a
pastoral dignity, as if in blessing, and recite with unction, "Little
children, love one another!"
"Or, wait a bit," he would say again, "we'll start a savings-bank, and
when it's full we'll buy from the town its shabby poorhouse, and take
the sign out and make the old "Sun" rise again, so as to get some oil
into the machine once more. What do you say to that?"
"If we only had five thousand marks--" Hürlin would begin to reckon;
but the others would laugh, and he would break off, heave a sigh, and
return to his brooding.
When winter had fully come, they saw him getting more silent and
restless. He had fallen into the habit of wandering in and out of the
room, sometimes grim, sometimes with a look of terror, sometimes with
one of watchful cunning. Otherwise he disturbed nobody. Holdria often
kept him company, falling into step with him in his incessant
wanderings through the room, and answering to the best of his powers
the glances, gestures, and sighs of the restless rambler, always
fleeing before the evil spirits whom he could not escape because he
carried them with him. Since all his life he had loved to play a
deceiver's part and played it with varying luck, now he was condemned
to play through to a desperately sad end with his harlequin-like
manners. He played miserably and absurdly enough--but at least the role
corresponded to himself, and the former poseur now for the first time
came on the stage without his mask, not to his advantage. The
realization of the infinite and the eternal, the longing for the
inexpressible, innate in this soul as in others but neglected and
forgotten through a whole lifetime, found now, when it swelled up, no
outlet, and attempted to express itself in grimaces, gestures, and
tones of the strangest kind, absurdly and laughably enough. But there
was a real power behind it all; and the uncomprehending desire for
death was certainly the first great and, in the higher sense, rational
movement which this small soul had known for years.
Public-domain text, read in full here on John Shaqi.
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