The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Among the queer performances of a mind off the track was this, that
several times a day he crawled under his bed, brought out the old tin
sun, and offered it a foolish reverence. Sometimes he carried it
solemnly before him like a holy monstrance; sometimes he set it up in
front of him and gazed upon it with entranced eyes, sometimes he smote
it angrily with his fist, only to take it up tenderly the moment after,
caress it and dandle it in his arms before he restored it to its
hiding-place. When he began these symbolic farces, he lost what little
credit for intelligence remained to him among his housemates, and was
put down with his friend Holdria as an absolute imbecile. The sailmaker
especially regarded him with undisguised contempt, played tricks upon
him and humiliated him whenever he could, and was seriously annoyed
that Hürlin seemed to take so little notice of him.
Once he got the tin sun away from him and hid it in another room. When
Hürlin went to get it and could not find it, he roamed through the
house for a while, looking for it repeatedly in many different places;
then he addressed impotent threatening speeches to all the inmates, the
weaver not excepted; and when nothing did any good, he sat down at the
table, buried his head in his hands, and broke into pitiful sobbing
which lasted for half an hour. This was too much for the sympathetic
Finkenbein. He gave a mighty box on the ear to the terrified sailmaker,
and forced him to restore the concealed treasure.
The tough frame of the manufacturer might have resisted for many more
years, in spite of his almost white hair. But the desire for death,
though it was working almost unconsciously in him, soon found its way
out, and made an end to the ugly tragi-comedy. One night in December it
happened that the old man could not sleep. Sitting up in bed, he gave
himself to his desolate thoughts, staring at the dark wall, and seemed
to himself more forsaken than usual. In this mood of weariness, fear,
and hopelessness he finally rose from his bed without knowing too well
what he was doing, unfastened his hempen suspenders, and hanged himself
with them to the top of the door-jamb. So Holdria found him in the
morning, and the imbecile's cry of horror soon brought the manager.
Hürlin's face was just a little bluer than usual, but it was impossible
to disfigure it very much.
It was a terrible surprise, but its effect was of short duration. Only
Holdria whimpered softly over his bowl of coffee; all the others knew
or felt that the manufacturer's end had come at a good time for him,
and that there was no real cause for regret or horror. And then no one
had loved him.
Of course a few penny-a-liners made haste to investigate the
interesting case, and communicated to the readers of their cheap
papers, together with the necessary moralizings, the fact that the not
unknown bankrupt Karl Hürlin had made a rather suitable end as a
suicide in the poorhouse.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account