The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Thereupon the trader, thinking to make himself agreeable, tried to say
something fitting. "If only it is a boy, to carry on your name, Stephen
Fausch ..."
The smith muttered something to himself, which his companion could not
understand.
"The first child! What a pleasure it will be to you," the trader went
on eagerly.
"It isn't mine," said Stephen Fausch gruffly. With his one eye he
glared at the man, so that his words stuck in his throat. Only then did
the rumor that he had heard occur to Hallheimer:--the rumor that the
smith's wife had been over-intimate with her husband's brother.
At the top of the stone steps of the house there now appeared a woman
who looked very stout, because she wore so many petticoats. With an
important and mysterious look, she nodded to the smith.
"It has come, Stephen Fausch. You have a boy. I--wish you joy!" she
called out. Since the smith behaved as if he saw and heard nothing, her
embarrassment increased; she went dejectedly back into the house.
Stephen laid down the file with which he had been scraping the horse's
hoof, and slowly turned to the trader. "Did you hear what the mid-wife
said?" he asked.
Moritz Hallheimer felt in his pocket and took out a little goldpiece.
"You must make the child a present at the christening," said he,
offering the goldpiece to the smith. But Stephen would not notice the
trader's hand. The eager little old man was quite out of countenance.
He laid the goldpiece on the window-sill of the workshop. "Take it to
the child, Fausch, take it," he begged in his embarrassment.
The horse was now shod, and Stephen led it back to the wagon and tied
it there. Suddenly he raised his great dark head. "Do you know what the
boy's name is going to be?" he asked, and his face had the same
stubborn look that it had worn when he told the vegetable woman to
wait. It seemed as if his square forehead projected still more and even
his nose had a more obstinate and uncompromising look. "He is going to
have a queer name, the boy," he went on. He was uncommonly talkative,
though he spoke slowly and with difficulty: "A strange name. He is to
be called Cain."
As he said this, he came out from behind the wagon and approached
Hallheimer, looking at him with a grim laugh.
"What--what's that you say?" stammered the little man.
The smith nodded. "Yes, yes," he said.
"You can't mean that," said the other. He got into his wagon, took his
place on the seat and repeated: "You don't mean that, Fausch."
"He is going to be called Cain," said Stephen indifferently, without
raising his voice. But his manner seemed to say: "Move me if you can."
The trader looked for some money, to pay for the work, and handed it
down to the smith. "They'll refuse to name the child that," said he.
"They'll have to," answered Stephen. "Did you pick up anything among
the Italians this time?" he asked. And without ceremony he reached in
under the oilcloth cover that was spread over the trader's wagon.
Public-domain text, read in full here on John Shaqi.
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