The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Hallheimer leaned back from his seat into the wagon and took out a
little box without any cover from under the oilcloth. "I may as well
show you this," said he. In the box lay an object carefully wrapped in
cloth and cotton wool. Hallheimer unpacked it and handed it to the
smith. "A Roman bronze," said he, "I got it in Milan from an old junk
man."
Stephen took the little figure, a boy running a race, a work most
delicately and perfectly formed. He placed it upright on the palm of
his broad, fire-scorched hand. The sun had gone down behind the woods,
and only the afterglow still lay over the road, but on the smith's
heavy hand the tiny figure stood as if it were alive, in the infinitely
pure light.
The trader watched the smith raising and lowering his arm, as if the
better to appreciate the beauty of the work of art. Then Fausch began
to speak. His voice was quiet and almost deeper than usual, and yet one
seemed to hear his quickened breathing. "Only see--the position, the
head, the youthful brow, the chest, just look--Hallheimer--!"
"This one pleases you too, does it?" asked the trader. His glance
rested on the heavy, grimy man, who stood bending forward, with a look
of devotion on his dark, almost ugly face. Wasn't he a strange fellow!
Stubborn and rough, like a brute! And yet there was in him something
fine and delicate, that seemed foreign to him. God knows in what corner
of his heart lurked this--this fineness, that made anything beautiful
that he saw affect him as the minister's sermon or a great joy or--no
matter what, might affect other people. Every time Hallheimer came near
the man he had to wonder at him, and--because he wondered at him, he
kept on stopping to see him and--but--but, he was going to have the
baby christened Cain--
Presently Stephen gave the statuette back. "Thank you for showing me
that," said he. "If I can ever manage it, I will go to Italy myself,"
he added, and turned toward the south, gazing into the distance and
seeming quite to forget the trader and his wagon.
Hallheimer packed up his property and took the reins. "I must go," said
he, "Goodby, Stephen Fausch." And then he drove on.
The smith did not take the trouble to look after him. The wagon rolled
away, accompanied by the trampling sound of the horses' feet. It was
quite a while before Fausch went slowly back to his workshop, where he
rummaged among his things, putting them in order, and once stepped to
the door, as a wagon drove rapidly by; then he looked up at the windows
of his house, as if he recollected himself, and then went up the
outside steps. The trader's present of the goldpiece he left lying
where it was.
As Fausch stepped into the dark upper passageway, the woman who had
already told him the news came toward him, "It is good that you have
come, Fausch," said she hurriedly, "I--I think you'd better send for
the doctor. I don't like the way your wife is."
Then Fausch passed by her and went into the bedroom where Maria lay.
Public-domain text, read in full here on John Shaqi.
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