The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
But in the living face there was something that enhanced its beauty
beyond that of the other face. The light was so clear that the rising
and falling of the chest was visible under the knitted jacket. Every
breath could be seen as it distended the delicate satiny cheeks and
passed from the little mouth; and at every inward breath the lips
parted like the calyx of a flower.
Fausch looked at the child for a while, and for a moment it seemed as
if the sight impressed him. He leaned forward involuntarily, as if in
joyful surprise, but then a curious change took place in him. His dark,
angular head came further forward, so that the moonlight struck his
square, stubborn brow. In the smith's face and bearing it was easy to
see how his own obstinacy was strangling the little pleasure that had
almost found its being.
"So that's the boy, is it? Cain Fausch?" said he. "You must be feeding
him well," he added, turning away and moving toward the stairs. As he
was starting to go down, he grumbled over his shoulder: "You needn't
have dragged me up here just for that."
The tears sprang to Katharine's eyes. She stared after him, her whole
face working. Then she went to the head of the stairs, and leaning
over, she called quickly after him: "Here, Fausch!"
"Yes?" he asked, pausing.
"No one must call him that when he is big enough to know--not that."
"What else then? See that you don't meddle! The name is short. And what
is, is!"
The smith stamped away toward the living room. In the clear moonlight
which now lay on the landing, Katharine could plainly see from above
his black woolly head. It passed through her mind that if one should
strike it with a sledge-hammer, the head would be the harder of the
two.
Nevertheless something of the picture that he had seen that evening
remained in Fausch's mind. The impression lingered for days and weeks,
and often occupied his thoughts. Once or twice he asked Katharine about
the boy: "What is the little fellow doing? Do you still feed him so
well?"
Chapter IV
The time passed in Waltheim as it does everywhere. At the smithy
Katharine sighed at every year's end, as people are apt to do: "Lord,
it has only just begun, and now it is gone already."
Once, when the old year was making way for the new, she added: "One can
see by the boy how old one is growing."
The year just ending was the sixth since the boy at the smithy was
born.
"The boy," Katharine would say, because she would not speak his name
aloud, and yet dared not give him any other.
"Cain!" called the smith from the road, if he wanted the boy in the
workshop, or through the house, if he were looking for him anywhere.
His voice had a sullen ring like that of his biggest anvil, and was so
loud that the name could be heard for a couple of hundred paces round
about. But when anyone asked the child himself his name, he would raise
his delicate face innocently to the questioner and say: "My name is
Cain, Cain."
Public-domain text, read in full here on John Shaqi.
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