The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
And he had already become accustomed to say the name twice, for on
hearing it the first time, people either did not understand him or
would not believe him.
Stephen Fausch did not treat the boy a hair's breadth differently from
what he would have done had there been no spot upon him. Since the
child had outgrown the exclusive care of Katharine, and could stand and
walk and feed himself, he still slept in the maid's room upstairs, but
he shared the living room with his father and ate with him at the
table. Stephen did not concern himself much about the child, but he was
not unkind to him; for the first while, it seemed as if he purposely
looked over the top of the little fellow's head. But in the last year
there had come a change, as the little boy's speech and ideas began to
grow clearer and cleverer, and now and then, as is the case with all
children, some speech of his would delight the listener with its
precocity or drollery. The smith led too lonely a life not to welcome
the little change that the boy brought him, although he did not admit
this, either to himself or to others. He called him oftener to the
workshop, tossed him a light hammer to play with, or told him to notice
how he himself shaped a horseshoe, how he bent a glowing bar, or other
such matters. When the two were alone, there was a droll sort of
companionship between them, and they would talk together while the
smith was working. The two voices resounded between the cling-clang of
the hammers, Fausch's dull or loud, then the child's voice clear and
high, like the sound of the hammer when it rebounded from the very
outer tip of the anvil. The figures of the man and the boy made a
striking contrast. When he was near the boy, Fausch looked still
heavier, stouter and darker than usual. The light of the forge fire
shone on his brown face and showed the charcoal streaks on it and the
dust in his thick, tangled, black beard. The sparks flew from his heavy
blows, but they flew in short spurts, as straight as an arrow to the
ground. They fell before the little boy's feet in their coarse shoes,
or even on his shoes, and if one glowed for some time on the rough
floor, the child would look at it and laugh with delight if it was slow
in dying out. But the boy was as fair as the man was dark. He stood
there looking as if he had just come out of a bandbox, for Katharine
still took the same care of him that she had formerly taken of the
little count. He did, indeed, wear coarse gray stockings, and his
jacket and trousers were made out of Fausch's cast off Sunday clothes.
The stuff was rough and homely, but the coarse shirt that showed at the
neck and wrists was of a glistening white, that looked so strangely
clean in the dirty blacksmith shop, that its color seemed, as it were,
to stab through the darkness. But that was not the only bright spot
about the child. His hands were small and slender and really quite
delicate, and they had a clever way of touching any dirty object with
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