"It is too true, the Architect's collection of weapons and old implements, which were found with the bodies of their owners, covered in with great hills of earth and rock, proves to us how useless is man's so great anxiety to preserve his personality after he is dead; and so inconsistent people are, the Architect confesses to have himself opened these barrows of his forefathers, and yet goes on occupying himself with memorials for posterity." "But after all why should we take it so much to heart? Is all that we do, done for eternity? Do we not put on our dress in the morning, to throw it off again at night? Do we not go abroad to return home again? And why should we not wish to rest by the side of our friends, though it were but for a century?" "When we see the many gravestones which have fallen in, which have been defaced by the footsteps of the congregation, which lie buried under the ruins of the churches, that have themselves crumbled together over them, we may fancy the life after death to be as a second life, into which a man enters in the figure, or the picture, or the inscription, and lives longer there than when he was really alive. But this figure also, this second existence, dies out too, sooner or later. Time will not allow himself to be cheated of his rights with the monuments of men or with themselves." It causes us so agreeable a sensation to occupy ourselves with what we can only half do, that no person ought to find fault with the dilettante, when he is spending his time over an art which he can never learn; nor blame the artist if he chooses to pass out over the border of his own art, and amuse himself in some neighboring field. With such complacency of feeling we regard the preparation of the Architect for painting the chapel. The colors were got ready, the measurements taken, the cartoons designed. He had made no attempt at originality, but kept close to his outlines; his only care was to make a proper distribution of the sitting and floating figures, so as tastefully to ornament his space with them. The scaffoldings were erected. The work went forward; and as soon as anything had been done on which the eye could rest, he could have no objection to Charlotte and Ottilie coming to see how he was getting on. The life-like faces of the angels, their robes waving against the blue sky-ground, delighted the eye, while their still and holy air calmed and composed the spirit, and produced the most delicate effect. The ladies ascended the scaffolding to him, and Ottilie had scarcely observed how easily and regularly the work was being done when the power which had been fostered in her by her early education at once appeared to develop. She took a brush, and with a few words of direction, painted a richly folding robe, with as much delicacy as skill.