The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Charlotte, who was always glad when Ottilie would occupy or amuse
herself with anything, left them both in the chapel, and went to follow
the train of her own thoughts, and work her way for herself through her
cares and anxieties which she was unable to communicate to a creature.
When ordinary men allow themselves to be worked up by common every-day
difficulties into fever-fits of passion, we can give them nothing but a
compassionate smile. But we look with a kind of awe on a spirit in
which the seed of a great destiny has been sown, which must abide the
unfolding of the germ, and neither dare nor can do anything to
precipitate either the good or the ill, either the happiness or the
misery, which is to arise out of it.
Edward had sent an answer by Charlotte's messenger, who had come to him
in his solitude. It was written with kindness and interest, but it was
rather composed and serious than warm and affectionate. He had vanished
almost immediately after, and Charlotte could learn no news about him;
till at last she accidentally found his name in the newspaper, where he
was mentioned with honor among those who had most distinguished
themselves in a late important engagement. She now understood the method
which he had taken; she perceived that he had escaped from great danger;
only she was convinced at the same time that he would seek out greater;
and it was all too clear to her that in every sense he would hardly be
withheld from any extremity.
She had to bear about this perpetual anxiety in her thoughts, and turn
which way she would, there was no light in which she could look at it
that would give her comfort.
Ottilie, never dreaming of anything of this, had taken to the work in
the chapel with the greatest interest, and she had easily obtained
Charlotte's permission to go on with it regularly. So now all went
swiftly forward, and the azure heaven was soon peopled with worthy
inhabitants. By continual practice both Ottilie and the Architect had
gained more freedom with the last figures; they became perceptibly
better. The faces, too, which had been all left to the Architect to
paint, showed by degrees a very singular peculiarly. They began all of
them to resemble Ottilie. The neighborhood of the beautiful girl had
made so strong an impression on the soul of the young man, who had no
variety of faces preconceived in his mind, that by degrees, on the way
from the eye to the hand, nothing was lost, and both worked in exact
harmony together. Enough; one of the last faces succeeded perfectly; so
that it seemed as if Ottilie herself was looking down out of the spaces
of the sky.
Public-domain text, read in full here on John Shaqi.
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