The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Nothing can part us; and certainly any separation would only draw me
more powerfully to you. I bethink me how at our last embrace, you
vehemently resisting, I burst into simultaneous tears and laughter. I
tried to calm myself, and in a sort of bewilderment I would not
believe that I was separated from you until the surrounding objects
convinced me of it against my will. But then my longing grew again
irresistible, until on its wings I sank back into your arms. Suppose
words or a human being to create a misunderstanding between us! The
poignant grief would be transient and quickly resolve itself into
complete harmony. How could separation separate us, when presence
itself is to us, as it were, too present? We have to cool and mitigate
the consuming fire with jests, and thus for us the most witty of the
forms and situations of joy is also the most beautiful. One among all
is at once the wittiest and the loveliest: when we exchange rôles and
with childish delight try to see who can best imitate the other;
whether you succeed best with the tender vehemence of a man, or I with
the yielding devotion of a woman. But, do you know, this sweet game
has for me quite other charms than its own. It is not merely the
delight of exhaustion or the anticipation of revenge. I see in it a
wonderful and profoundly significant allegory of the development of
man and woman into complete humanity. * * *
* * * * *
That was my dithyrambic fantasy on the loveliest situation in the
loveliest of worlds. I know right well what you thought of it and how
you took it at that time. And I think I know just as well what you
will think of it and how you will take it here, here in this little
book, in which you expect to find genuine history, plain truth and
calm reason; yes, even morality, the charming morality of love. "How
can a man wish to write anything which it is scarcely permissible to
talk about, which ought only to be felt?" I replied: "If a man feels
it, he must wish to talk about it, and what a man wishes to talk about
he may write."
I wanted first to demonstrate to you that there exists in the original
and essential nature of man a certain awkward enthusiasm which likes
to utter boldly that which is delicate and holy, and sometimes falls
headlong over its own honest zeal and speaks a word that is divine to
the point of coarseness.
This apology would indeed save me, but perhaps only at the enormous
expense of my manhood itself; for whatever you may think of my manhood
in particular, you have nevertheless a great deal against the sex in
general. Meantime I will by no means make common cause with them, but
will rather excuse and defend my liberty and audacity by means of the
example of the little innocent Wilhelmina, since she too is a lady
whom I love most tenderly. So I will straightway attempt a little
sketch of her character.
SKETCH OF LITTLE WILHELMINA
Public-domain text, read in full here on John Shaqi.
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