The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
TRANSLATED BY LILLIE WINTER, B.A.
DRAMATIS PERSONÆ
THE KING
THE PRINCESS, _his daughter_
PRINCE NATHANIEL _of Malsinki_
LEANDER, _Court scholar_
HANSWURST, _Court fool_
_A Groom of the Chamber_
_The Cook_
LORENZ }
BARTHEL } _Peasant brothers_
GOTTLIEB }
_Hinze, a tom-cat_
_A Tavern-keeper_
KUNZ }
MICHEL } _Peasants_
_A Bugbear_
_A Peace-maker_
_The Playwright_
_A Soldier_
_Two Hussars_
_Two Lovers_
_Servants_
_Musicians_
_A Peasant_
_The Prompter_
_A Shoemaker_
_A Historian_
FISCHER
MÜLLER
BÖTTICHER
LEUTNER
WIESENER
WIESENER'S NEIGHBOR
_Elephants_
_Lions_
_Bears_
_An officer_
_Eagles and other birds_
_A rabbit_
_Partridges_
_Jupiter_
_Terkaleon_
_The Machinist_
_Spirits_
_Monkeys_
_The Public_.
[Illustration: #LUDWIG TIECK# VOGEL VON VOGELSTEIN]
PROLOGUE
_The scene is laid in the pit, the candles are already lighted, the
musicians are gathered in the orchestra. The theatre is filled, people
talking in confusion, some arriving, etc_.
FISCHER, MÜLLER, SCHLOSSER, BÖTTICHER, _in the pit_
FISCHER.
Say, but I am curious, Herr Müller, what do you think of today's play?
MÜLLER.
I should be more likely to expect the sky to fall in than to see such
a play at our theatre.
FISCHER.
Do you know the play?
MÜLLER.
Not at all. A strange title that: _Puss in Boots_. I do hope they're
not going to present that child's play at the theatre.
SCHLOSS.
Why, is it an opera?
FISCHER.
Anything but that; the bill says: _A Fairy-tale for Children_.
SCHLOSS.
A fairy-tale? But in Heaven's name, we're not children, are we, that
they want to present such pieces for us? They certainly won't put an
actual cat on the stage, will they?
FISCHER.
It may turn out to be an imitation of the new Arcadians, a sort of
Terkaleon.
MÜLLER.
Now that wouldn't be bad, for I've been wishing this long while to see
some time such a wonderful opera without music.
FISCHER.
Without music it is absurd, for, my dear friend, we're beyond such
childish nonsense, such superstition; enlightenment has borne its
natural fruits.
MÜLLER.
It may turn out to be a regular picture of domestic life, and the cat
is only a joke, something like a jest, so to speak, a motive, if I may
call it that.
SCHLOSS.
To tell you my honest opinion, I take the whole thing to be
a trick to spread sentiment among the people, give them suggestions.
You'll see if I'm not right. A revolutionary play, as far as I can
understand.
FISCHER.
I agree with you, too, for otherwise the style would be
horribly offensive. For my part I must admit I never could believe in
witches or spirits, not to mention _Puss in Boots_.
SCHLOSS.
The age of these phantoms is past. Why, there comes Leutner; perhaps
he can tell us more.
[_Leutner pushes himself through the crowd_.]
LEUTNER.
Good evening, good evening! Well, how are you?
MÜLLER.
Public-domain text, read in full here on John Shaqi.
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