The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
[LEANDER _and_ JACKPUDDING _bow_.]
LEANDER.
The theme of my assertion is, that a recently published play
by the name of _Puss in Boots_ is a good play.
JACKPUD.
That is just what I deny.
LEANDER.
Prove that it is bad.
JACKPUD.
Prove that it is good.
LEUTNER.
What's this again? Why that's the very play they are giving
here, if I am not mistaken.
MÜLLER.
No other.
SCHLOSS.
Do tell me whether I am awake and have my eyes open.
LEANDER.
The play, if not perfectly excellent, is still to be praised
in several respects.
JACKPUD.
Not one respect.
LEANDER.
I assert that it displays wit.
JACKPUD.
I assert that it displays none.
LEANDER.
You are a fool; how can you pretend to judge concerning wit?
JACKPUD.
And you are a scholar; what can you pretend to understand
about wit?
LEANDER.
Several characters are well-sustained.
JACKPUD.
Not a single one.
LEANDER.
Then, even if I concede else, the audience is well drawn in
it.
JACKPUD.
An audience never has a character.
LEANDER.
I am almost amazed at this boldness.
JACKPUD (_to the pit_).
Isn't he a foolish fellow? Here we are, hand
and glove with each other and sympathize in our views on taste, and he
wishes to assert in opposition to my opinion, that at least the
audience in _Puss in Boots_ is well drawn.
FISCHER.
The audience? Why no audience appears in the play.
JACKPUD.
That's even better! So, then, no audience is presented in it
at all?
MÜLLER.
Why not a bit of it, unless he means the several kinds of
fools that appear.
JACKPUD.
Now, do you see, scholar! What these gentlemen down there are
saying must certainly be true.
LEANDER.
I am getting confused, but still I won't yield the victory to
you.
[_Enter_ HINZE.]
JACKPUD.
Sir Hunter, a word! (HINZE _approaches, they whisper._)
HINZE.
If it's nothing more than that. (_He takes off his boots,
climbs up the pole, then takes the hat, jumps down, then puts his
boots on again._)
JACKPUD.
Victory! Victory!
KING.
The deuce! How clever the hunter is!
LEANDER.
I only regret that I have been vanquished by a fool, that
learning must acknowledge foolishness as its superior.
KING.
Keep still; you wanted the hat, he wanted the hat; so again I
see no difference. But what have you brought, hunter?
HINZE.
The Count of Carabas commends himself most respectfully to your
majesty and sends you these two partridges.
KING.
Too much! too much! I am sinking under the burden of gratitude!
Long since should I have done my duty and visited him; today I will
delay no longer. Have my royal carriage prepared at once--eight horses
in front--I want to go driving with my daughter. You, Hunter, are to
show us the way to the castle of the count.
[_Exit with retinue._]
HINZE. JACKPUDDING
HINZE.
What was your disputation about, anyhow?
JACKPUD.
Public-domain text, read in full here on John Shaqi.
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