The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes — John Shaqi
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
They alighted at last at the Prince _di Lauria's_--Gaspard's
father-in-law and old friend. * * * Albano, dissatisfied with all, kept
his inspiration sacrificing to the unearthly gods of the past round
about him, after the old fashion, namely, with silence. Well might he
and could he have discussed, but otherwise, namely in odes, with the
whole man, with streams which mount and grow upward. He looked even more
and more longingly out of the window at the moon in the pure rain-blue,
and at single columns of the Forum; out of doors there gleamed for him
the greatest world. At last he rose up, indignant and impatient, and
stole down into the glimmering glory, and stepped before the Forum; but
the moonlit night, that decoration-painter, which works with irregular
strokes, made almost the very stage of the scene irrecognizable to him.
What a dreary, broad plain, loftily encompassed with ruins, gardens
and temples, covered with prostrate capitals of columns, and with
single, upright pillars, and with trees and a dumb wilderness! The
heaped-up ashes out of the emptied urn of Time! And the potsherds of a
great world flung around! He passed by three temple columns,[4] which
the earth had drawn down into itself even to the breast, and along
through the broad triumphal arch of Septimius Severus; on the right,
stood a chain of columns without their temple; on the left, attached
to a Christian church, the colonnade of an ancient heathen temple,
deep sunken into the sediment of time; at last the triumphal arch of
Titus, and before it, in the middle of the woody wilderness, a
fountain gushing into a granite basin.
He went up to this fountain, in order to survey the plain out of which
the thunder months of the earth once arose; but he went along as over
a burnt-out sun, hung round with dark, dead earths. "O Man, O the
dreams of Man!" something within him unceasingly cried. He stood on
the granite margin, turning toward the Coliseum, whose mountain ridges
of wall stood high in the moonlight, with the deep gaps which had been
hewn in them by the scythe of Time. Sharply stood the rent and ragged
arches of Nero's golden house close by, like murderous cutlasses. The
Palatine Hill lay full of green gardens, and, in crumbling
temple-roofs, the blooming death-garland of ivy was gnawing, and
living ranunculi still glowed around sunken capitals. The fountain
murmured babblingly and forever, and the stars gazed steadfastly down,
with transitory rays, upon the still battlefield over which the winter
of time had passed without bringing after it a spring; the fiery soul
of the world had flown up, and the cold, crumbling giant lay around;
torn asunder were the gigantic spokes of the main-wheel, which once
the very stream of ages drove. And in addition to all this, the moon
shed down her light like eating silver-water upon the naked columns,
and would fain have dissolved the Coliseum and the temples and all
into their own shadows!
Public-domain text, read in full here on John Shaqi.
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