The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
To assign to poetry, among human endeavors, the lofty and serious
place of which I have spoken above, to defend it from the petty point
of view of those who, mistaking its dignity, and the pedantic attitude
of those who, mistaking its peculiar character, regard it only as a
trifling adornment and embellishment of life or else ask an immediate
moral effect and teaching from it--this, as one cannot repeat too
often, is deeply rooted in the German habit of thought and feeling.
Schiller in his poetry gave utterance--in his own individual manner,
however--to whatever his German nature had implanted in him, to the
harmony which rang out to him from the depths of the language, the
mysterious effect of which he so cleverly perceived and knew how to
use so masterfully. * * *
The deeper and truer trend of the German resides in his highly
developed sensibility which keeps him closer to the truths of nature,
in his inclination to live in the world of ideas and of emotions
dependent upon them, and, in fact, in everything which is connected
therewith. * * *
A favorite idea which often engaged Schiller's attention was the need
of educating the crude natural man--as he understood him--through art,
before he could be left to attain culture through reason. Schiller has
enlarged upon this theme on many occasions, both in prose and verse.
His imagination dwelt by preference upon the beginnings of
civilization in general, upon the transition from the nomadic life to
the agricultural, upon the covenant established in naïve faith with
pious Mother Earth, as he so beautifully expresses it.
Whatever mythology offered here as kindred material, he grasped with
eagerness and firmness. Faithfully following the traces of fable, he
made of Demeter, the chief personage in the group of agricultural
deities, a figure as wonderful as it was appealing, by uniting in her
breast human feelings with divine. It was long a cherished plan with
Schiller to treat in epic form the earliest Attic civilization
resulting from foreign immigration. _The Eleusinian Festival_,
however, replaced this plan, which was never executed. * * *
Public-domain text, read in full here on John Shaqi.
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