The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Shakespeare flourished and wrote in the last half of the reign of
Queen Elizabeth and first half of that of James I.; and, consequently,
under monarchs who were learned themselves and held literature in
honor. The policy of modern Europe, by which the relations of its
different states have been so variously interwoven with one another,
commenced a century before. The cause of the Protestants was decided
by the accession of Elizabeth to the throne; and the attachment to the
ancient belief cannot therefore be urged as a proof of the prevailing
darkness. Such was the zeal for the study of the ancients that even
court ladies, and the queen herself, were acquainted with Latin and
Greek, and taught even to speak the former--a degree of knowledge
which we should in vain seek for in the courts of Europe at the
present day. The trade and navigation which the English carried on
with all the four quarters of the world made them acquainted with the
customs and mental productions of other nations; and it would appear
that they were then more indulgent to foreign manners than they are
in the present day. Italy had already produced nearly all that still
distinguishes her literature, and, in England, translations in verse
were diligently, and even successfully, executed from the Italian.
Spanish literature also was not unknown, for it is certain that _Don
Quixote_ was read in England soon after its first appearance. Bacon,
the founder of modern experimental philosophy, and of whom it may be
said that he carried in his pocket all that even in this eighteenth
century merits the name of philosophy, was a contemporary of
Shakespeare. His fame as a writer did not, indeed, break forth into
its glory till after his death; but what a number of ideas must have
been in circulation before such an author could arise! Many branches
of human knowledge have, since that time, been more extensively
cultivated, but such branches as are totally unproductive to
poetry--chemistry, mechanics, manufactures, and rural and political
economy--will never enable a man to become a poet. I have
elsewhere[17] examined into the pretensions of modern enlightenment,
as it is called, which looks with such contempt on all preceding ages;
I have shown that at bottom it is all small, superficial, and
unsubstantial. The pride of what has been called "the existing
maturity of human intensity" has come to a miserable end; and the
structures erected by those pedagogues of the human race have fallen
to pieces like the baby-houses of children.
Public-domain text, read in full here on John Shaqi.
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