The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
With regard to the tone of society in Shakespeare's day, it is
necessary to remark that there is a wide difference between true
mental cultivation and what is called polish. That artificial polish
which puts an end to everything like free original communication and
subjects all intercourse to the insipid uniformity of certain rules,
was undoubtedly wholly unknown to the age of Shakespeare, as in a
great measure it still is at the present day in England. It possessed,
on the other hand, a fulness of healthy vigor, which showed itself
always with boldness, and sometimes also with coarseness. The spirit
of chivalry was not yet wholly extinct, and a queen, who was far more
jealous in exacting homage to her sex than to her throne, and who,
with her determination, wisdom, and magnanimity, was in fact well
qualified to inspire the minds of her subjects with an ardent
enthusiasm, inflamed that spirit to the noblest love of glory and
renown. The feudal independence also still survived in some measure;
the nobility vied with one another in splendor of dress and number of
retinue, and every great lord had a sort of small court of his own.
The distinction of ranks was as yet strongly marked--a state of things
ardently to be desired by the dramatic poet. In conversation they took
pleasure in quick and unexpected answers; and the witty sally passed
rapidly like a ball from mouth to mouth, till the merry game could no
longer be kept up. This, and the abuse of the play on words (of which
King James was himself very fond, and we need not therefore wonder at
the universality of the mode), may, doubtless, be considered as
instances of a bad taste; but to take them for symptoms of rudeness
and barbarity is not less absurd than to infer the poverty of a people
from their luxurious extravagance. These strained repartees are
frequently employed by Shakespeare, with the view of painting the
actual tone of the society in his day; it does not, however, follow
that they met with his approbation; on the contrary, it clearly
appears that he held them in derision. Hamlet says, in the scene with
the gravedigger, "By the Lord, Horatio, these three years I have taken
note of it: the age is grown so picked that the toe of the peasant
comes so near the heel of the courtier, he galls his kibe." And
Lorenzo, in the _Merchant of Venice_, alluding to Launcelot:
O dear discretion, how his words are suited!
The fool hath planted in his memory
An army of good words: and I do know
A many fools, that stand in better place,
Garnish'd like him, that for a tricksy word
Defy the matter.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account