The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
It is needless to state that Immermann never wrote a work with such a
title. Editors and publishers have simply followed the lead of readers
and brought out separately the best parts of the complete novel under
the heading of the third chapter of the second book. There is not even
final agreement as to how much of the original work should be included
in order to make a well-rounded story. The editions, of which there are
many, vary in size from seventy-five to three hundred and seventy-five
octavo pages. The best arrangement is that which includes the second,
fifth, seventh and eighth books.
Here again we meet with three leading characters--the very honest and
reliable Hofschulze, the owner of the "Upper Farm," in whom are
personified and glorified the best traditions of Westphalia; Lisbeth,
the daughter of Münchhausen and Emerentia, the connecting link between
romantic and realistic Germany; and Oswald, the Suabian Count disguised
as a hunter, a thoroughly good fellow. But this by no means exhausts the
list of pleasing personalities. The good Deacon, who had lost interest
in life and faith in men while tutoring a young Swedish Count, and who
was made over by his new work among the solid middle class of
Westphalia, is a character of real charm; his ideals are humanitarian in
the best sense, his wisdom is sound, his help generous. Jochem, Oswald's
servant, is the incarnation of fidelity; the old Captain, who finds
himself today in a French and tomorrow in a Prussian mood, is
instructive at least, for such dualistic patriotism was not unknown at
the time; the Collector follows his vocation with inspiring avidity, the
Sexton is droll without knowing it, and each of the Hofschulze's
servants has something about him that separates him from his
confederates even though he be nameless. There are no supernumeraries
among the characters.
By reason of her common sense and energy, Lisbeth had for some time kept
the old Baron's head above water. One of her duties was to collect
taxes, a business which frequently brought her to the "Upper Farm,"
where she was always sure of a kind reception. Oswald, too, came to the
Farm one day to settle an affair of honor with Münchhausen. Instead of
finding him, however, he meets Lisbeth, and here the love story begins.
Public-domain text, read in full here on John Shaqi.
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