hand, is synthetic, constructive, inventive. Apart from Hegel's special use of the term, it is this synthetic and creative and imaginative quality pervading his whole philosophy which has deepened men's insight into history, religion, and art, and which has wielded its general influence on the philosophic and literary constellation of the nineteenth century. * * * * * GEORG WILHELM FRIEDRICH HEGEL INTRODUCTION TO THE PHILOSOPHY OF HISTORY[1] (1837) TRANSLATED BY J. SIBREE, M.A. The subject of this course of lectures is the Philosophical History of the World. And by this must be understood, not a collection of general observations respecting it, suggested by the study of its records and proposed to be illustrated by its facts, but universal history itself. To gain a clear idea, at the outset, of the nature of our task, it seems necessary to begin with an examination of the other methods of treating history. The various methods may be ranged under three heads: I. Original History. II. Reflective History. III. Philosophical History. I. Of the first kind, the mention of one or two distinguished names will furnish a definite type. To this category belong Herodotus, Thucydides, and other historians of the same order, whose descriptions are for the most part limited to deeds, events, and states of society, which they had before their eyes and whose spirit they shared. They simply transferred what was passing in the world around them to the realm of re-presentative intellect; an external phenomenon was thus translated into an internal conception. In the same way the poet operates upon the material supplied him by his emotions, projecting it into an image for the conceptive faculty. These original historians did, it is true, find statements and narratives of other men ready to hand; one person cannot be an eye-and-ear witness of everything. But, merely as an ingredient, they make use only of such aids as the poet does of that heritage of an already-formed language to which he owes so much; historiographers bind together the fleeting elements of story, and treasure them up for immortality in the temple of Mnemosyne. Legends, ballad-stories, and traditions must be excluded from such original history; they are but dim and hazy forms of historical apprehension, and therefore belong to nations whose intelligence is but half awakened. Here, on the contrary, we have to do with people fully conscious of what they were and what they were about. The domain of reality--actually seen, or capable of being so-affords a very different basis in point of firmness from that fugitive and shadowy element in which were engendered those legends and poetic dreams whose historical prestige vanishes as soon as nations have attained a mature individuality.