The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
I am still quite bewildered by this--this flattering commission. And
when may I pay my respects to Your Majesty again?
QUEEN.
At almost any time. But I should prefer the evening hours, when those on
whom I can rely gather around me, while the King is with those persons
whom I mentioned a short time ago. Farewell now, my dear Prince of--oh,
dear me, now my son has forgotten to write me whether it is Ansbach or
Baireuth that you inherit. It is so easy to confuse these little
principalities. Ansbach--Baireuth--Ansbach--yes, that was it. Very well,
my dear Prince of Ansbach, remember, Prussia, Hanover and England!
[_She bows to him with proud condescension and goes out_.]
SCENE VI
PRINCE (_alone_).
The future Queen of England! And I--the Hereditary Prince of Ansbach!
That was a cruel blow of fate. And I am to mediate these matters of
international importance! This angelic being, whom I love more madly
with every breath I draw--this exquisite sister of my dear
Frederick--is destined to become a victim of political intrigue? Oh no,
she cannot possibly love the Prince of Wales; she has never seen him.
But will they consult her inclination? Will cold considerations of
politics heed the cry of her heart?--The parade is over, the suite is
entering the castle; I dare not meet the king now in this excited mood.
[_He looks about as if seeking some means of escape_. EVERSMANN _comes
in carrying a large book. He has a pen stuck in behind one ear. He
crosses to the door through which the_ QUEEN _has gone out_.]
PRINCE (_aside_).
Who's this?
[EVERSMANN _looks the_ PRINCE _over from head to foot, moves forward a
few paces, then halts again_.]
PRINCE (_aside_).
Can any one have seen me?
EVERSMANN (_goes to the door, halts again, looks at the_ PRINCE
_impudently_).
PRINCE.
Why are you looking at me, sirrah? I am the Prince Hereditary of
Baireuth.
EVERSMANN (_is quite indifferent, comes down a few steps, bows very
slightly_).
His Majesty is coming in from the parade, but does not grant audiences
in this room.
PRINCE.
I thank you for the information, my good man.
EVERSMANN.
Don't mention it, pray.
PRINCE.
And who are you?
EVERSMANN. I? [_There is along pause_.]
I am Eversmann. [_He goes out into the_ QUEEN's _room_.]
PRINCE.
Eversmann? The Minister of Finance or the Head Steward, I wonder? He
betrays parsimony in every shred of his garments. [_Drums and the sound
of presented arms is heard back_ _of the rear entrance_.] The King is
coming. The King? Why should I feel so timid, so oppressed, all of a
sudden? Does my courage fail me because I am about to confront this
curiosity of his century? I'd rather observe him from the side at first.
[_He draws back and stands close by the door to the left_.]
SCENE VII
_A loud knocking, as with a cane, is heard at the centre door_.
PRINCE.
Come in.
KING (_outside_).
Eversmann!
PRINCE.
Now, what's that?
KING (_still without, beats the door loudly with his cane_).
Eversmann!
PRINCE.
Public-domain text, read in full here on John Shaqi.
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