The German Classics of the Nineteenth and Twentieth Centuries, Volume 06: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 06: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The Jews have banished all instrumental music from their church,
maintaining that hymns in praise of God are more edifying when they
rise from the warm breast of man, than from the cold pipes of an organ.
Beautiful Sara felt a childish delight when the choir-leader, an
admirable tenor, raised his voice and sounded forth the ancient, solemn
melodies, which she knew so well, in a fresher loveliness than she had
ever dreamed of, while the bass sang in harmony the deep, dark notes,
and, in the pauses, the treble's voice trilled sweetly and daintily.
Such singing Beautiful Sara had never heard in the synagogue of
Bacharach, where the presiding elder, David Levi, was the leader; for
when this elderly, trembling man, with his broken, bleating voice, tried
to trill like a young girl, and in his forced effort to do so, shook his
limp and drooping arm feverishly, it inspired laughter rather than
devotion.
A sense of pious satisfaction, not unmingled with feminine curiosity,
drew Beautiful Sara to the grating, where she could look down on the
lower floor, or the so-called men's division. She had never before seen
so many of her faith together, and it cheered her heart to be in such a
multitude of those so closely allied by race, thought, and sufferings.
And her soul was still more deeply moved when three old men
reverentially approached the sacred ark, drew aside the glittering
curtain, raised the lid, and very carefully brought forth the Book which
God wrote with His own hand, and for the maintenance of which Jews have
suffered so much--so much misery and hate, disgrace and death--a
thousand years' martyrdom. This Book--a great roll of parchment--was
wrapped like a princely child in a gaily embroidered scarlet cloak of
velvet; above, on both wooden rollers, were two little silver shrines,
in which many pomegranates and small bells jingled and rang prettily,
while before, on a silver chain, hung gold shields with many colored
gems. The choir-leader took the Book, and, as if it really were a
child--a child for whom one has greatly suffered, and whom one loves all
the more on that account--he rocked it in his arms, skipped about with
it here and there, pressed it to his breast, and, thrilled by its holy
touch, broke forth into such a devout hymn of praise and thanksgiving,
that it seemed to Beautiful Sara as if the pillars under the holy ark
began to bloom; and the strange and lovely flowers and leaves on the
capitals shot ever higher, the tones of the treble were converted into
the notes of the nightingale, the vaulted ceiling of the synagogue
resounded with the tremendous tones of the bass singer, while the glory
of God shone down from the blue heavens. Yes, it was a beautiful psalm.
The congregation sang in chorus the concluding verse, and then the
choir-leader walked slowly to the raised platform in the middle of the
synagogue bearing the holy Book, while men and boys crowded about him,
eager to kiss its velvet covering, or even to touch it.
Public-domain text, read in full here on John Shaqi.
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