The German Classics of the Nineteenth and Twentieth Centuries, Volume 06: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 06: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
On the platform,
the velvet cover, as well as the wrappings covered with illuminated
letters, were removed, and the choir-leader, in the peculiar intonation
which in the Passover service is still more peculiarly modulated, read
the edifying narrative of the temptation of Abraham.
Beautiful Sara had modestly withdrawn from the grating, and a stout,
much ornamented woman of middle age, with a forward, but benevolent
manner, had with a nod invited her to share her prayer-book. This lady
was evidently no great scholar, for as she mumbled to herself the
prayers as the women do, not being allowed to take part in the singing,
Sara observed that she made the best she could of many words, and
skipped several good lines altogether. But after a while the watery blue
eyes of the good woman were languidly raised, an insipid smile spread
over her red and white porcelain face, and in a voice which she strove
to make as genteel as possible, she said to Beautiful Sara, "He sings
very well. But I have heard far better singing in Holland. You are a
stranger, and perhaps do not know that the choir-leader is from Worms,
and that they will keep him here if he will be content with four hundred
florins a year. He is a charming man, and his hands are as white as
alabaster. I admire beautiful hands; they make one altogether
beautiful." Having said this, the good lady laid her own hand, which
was really a fine one, on the shelf before her, and with a polite nod
which intimated that she did not like to be interrupted while speaking,
she added, "The little singer is a mere child, and looks very much worn
out. The basso is too ugly for anything; our Star once made the witty
remark: 'The bass singer is a bigger fool than even a basso is expected
to be!' All three eat in my restaurant--perhaps you don't know that I'm
Elle Schnapper?"
Beautiful Sara expressed thanks for this information, whereupon
Schnapper-Elle proceeded to narrate in detail how she had once been in
Amsterdam, how she had been subjected to the advances of men on account
of her beauty, how she had come to Frankfort three days before
Whit-suntide and married Schnapper, how he had died, and what touching
things he had finally said on his deathbed, and how hard it was to carry
on the restaurant business and keep one's hands nice. Several times she
glanced aside with a contemptuous air, apparently at some giggling
girls, who seemed to be eyeing her clothes. And the latter were indeed
remarkable enough--a very loose skirt of white satin, on which all the
animals of Noah's Ark were embroidered in gaudy colors; a jacket of gold
cloth, like a cuirass, with sleeves of red velvet, yellow slashed; a
very high cap on her head, with a mighty ruff of stiff white linen
around her neck, which also had around it a silver chain hung with all
kinds of coins, cameos, and curiosities, among them a large picture of
the city of Amsterdam, which rested on her bosom.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account